‘We Deserve to Be in Bronze’ | Reactions to Thomas J Price: Ancient Feelings
Why It Matters
The statue’s high‑profile placement confronts historic under‑representation, urging cities to commission inclusive monuments that reflect diverse communities.
Key Takeaways
- •Community sees statue as authentic cultural representation in public spaces
- •Detailed braids and hair layers impress viewers with realism
- •Location in touristy harbor amplifies visibility of Black heritage
- •Residents call for more bronze statues of marginalized groups
- •Positive emotional response highlights need for inclusive public art
Summary
The video captures community reactions to Thomas J. Price’s new bronze sculpture, “Ancient Feelings,” installed in a bustling harbour precinct. Viewers describe the work as a rare, beautiful representation of Black women, noting its striking realism and cultural specificity.
Participants praise the artist’s meticulous attention to detail—layered braids, baby hairs, textured lips, and nuanced facial features—calling the piece a “pure beauty” that mirrors everyday experiences of hair styling and family gatherings. The statue’s prominent tourist‑heavy location further amplifies its impact, turning a routine walk into a moment of cultural affirmation.
Quotes such as “We deserve to be in bronze statues out on these streets” and “It makes me want to pause and smell the roses” underscore the emotional resonance and the demand for visible representation. Viewers also highlight the sculpture’s ability to pause the “chaos” of city life, inviting reflection.
The broader implication is a call for more inclusive public art that honors marginalized histories. By placing a Black female figure in a high‑visibility space, the work challenges traditional monument narratives and signals a shift toward equitable cultural storytelling in urban environments.
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