
Susanna Greeves on ‘White Cube at Claydon’, a Major Group Exhibition Hosted by the National Trust
The National Trust is presenting “White Cube at Claydon,” a major group exhibition set within the historic Buckinghamshire estate that has been home to the Verney family for four centuries. The show brings together more than 40 artworks by 20 contemporary artists, installed throughout the grand 18th‑century interiors, the lawns, terraces, and wall gardens of the property. Curators have deliberately placed the pieces in dialogue with the house’s architecture and surrounding nature. Notably, Marguerite Humeau’s sculpture “Rise” draws on the microscopic structure of a grape‑flower’s pollination organs, scaling it up into a monumental, hydra‑like form that spans the pool garden. The exhibition’s premise is to move beyond the “neutral white‑cube” setting, allowing contemporary works to interact with historic objects and the estate’s landscape. The programme emphasizes fresh perspectives: “We hope it will cast a fresh light both on this wonderful setting and on the artworks we’ve placed here,” the narrator explains, underscoring the intent to enrich visitor experience through juxtaposition. By situating avant‑garde pieces amid heritage spaces, the show illustrates how modern artistic narratives can reinterpret and illuminate centuries‑old environments. For the National Trust and the broader cultural sector, the project signals a growing trend of leveraging historic sites as active platforms for contemporary art. It promises to attract new audiences, deepen engagement with heritage, and inspire similar collaborations that blend art, history, and nature in innovative ways.

In the Gallery: Hannah Gruy on Alia Ahmad at White Cube Hong Kong | White Cube
The White Cube Hong Kong exhibition “In Time, A Bloom” showcases Saudi artist Alia Ahmad, presented by curator Hannah Gruy. The show merges Middle Eastern heritage with East Asian visual language, positioning Ahmad’s work within a global contemporary context. Gruy describes...

In the Gallery: Louise Neri on El Anatsui at White Cube Hong Kong and White Cube Seoul
White Cube has launched El Anatsui’s first solo exhibitions in Hong Kong and Seoul, titled “MivEvi” (Fragrant Harbour) and “LuwVor” (Soul City), respectively. The shows mark the Ghanaian‑born sculptor’s debut in the two Asian markets and underscore his lifelong engagement...

In Focus: Alia Ahmad, ‘In Time, A Bloom 2’ (2026) | ﻣﻊ اﻟﻮﻗﺖ ﺗﺰﻫﺮ ٢, at White Cube Hong Kong
Alia Ahmad’s solo show “In Time, A Bloom 2” opened at White Cube Hong Kong, centering on a large horizontal canvas that references the scroll format of traditional Chinese landscape painting. The work unfolds in layered pastel washes that generate a fluid,...

In the Studio: Shao Fan | White Cube
In this White Cube studio interview, Chinese artist Shao Fan reflects on the design and philosophy of his 2004 studio, describing it as a space that “grows naturally” and can only be understood by moving inside it. He explains his creative...

Matteo Norzi Reflects on Sara Flores’s Work at the Peru Pavilion at La Biennale Di Venezia 2026
Matteo Norzi’s commentary frames Sara Flores’s installation at the Peru Pavilion of the 2026 Venice Biennale as a rare convergence of contemporary art and Shipibo‑Konibo tradition. Flores, described as a master of Kene, employs the indigenous visual language to render...

In the Gallery: Katharina Grosse at White Cube Bermondsey | White Cube
Katharina Grosse’s new solo exhibition, “I Set Out, I Walked Fast,” opens at White Cube Bermondsey, presenting a series of large‑scale, colour‑driven installations that blur the line between painting and sculpture. Grosse explains that she works without sketches, letting an instant...

Sam Seungho Park on Park Seo-Bo's, ‘Newspaper Ecritures’ at White Cube Paris
Sam Seungho Park examines Park Seo‑Bo’s “Newspaper Ecritures” show at White Cube Paris, highlighting the Korean master’s Parisian practice from the mid‑1970s to early‑80s. The discussion centers on how the artist used winter breaks to work in modest hotels, turning discarded...

'Katharina Grosse: I Set Out, I Walked Fast' At White Cube Bermondsey
The video captures Katharina Grosse’s conversation at White Cube Bermondsey, where she explains the philosophy behind her large‑scale, site‑specific paintings. She emphasizes that her work emerges from a direct encounter with structure, without preliminary sketches, and that thought and action...

In the Gallery: Sarah Morris at White Cube Mason’s Yard | White Cube
Sarah Morris’s new White Cube show, "Snow Leopards and Skyscrapers," juxtaposes the elusive snow leopard with towering corporate architecture to interrogate the hidden forces shaping modern urban life. Morris populates her large‑scale canvases with recognizable symbols—from Cambridge Analytica and Palantir to...

Conversations: Klára Hosnedlová and WangShui with Sam Bardaouil | White Cube
The White Cube conversation brings together Klára Hosnedlová and WangShui to interrogate what it means to speak through material in contemporary art. Both artists examine the tension between representation—recognizable imagery—and perception, a mode of sensing that destabilises the image,...

In the Studio: Leslie Diuguid on Printing Cinga Samson’s ‘Oonomboyi 4’ | White Cube
Leslie Diuguid, owner‑operator of Du‑Good Press, discusses his collaboration with South African painter Cinga Samson on the screen‑printed work “Oonomboyi 4,” produced for White Cube. The conversation highlights how the press tailors its process to the artist’s vision, treating each print...

#Shorts: Sarah Morris: In the Studio, Part I
Renowned contemporary artist Sarah Morris is preparing a solo exhibition at White Cube’s Mason’s Yard in London. New paintings created in her New York studio are being shipped to the gallery ahead of the show. The exhibition, titled “In the...

In the Gallery: Klára Hosnedlová ‘Echo’ at White Cube Bermondsey | White Cube
The White Cube Bermondsey gallery opened Klára Hosnedlová’s solo show “Echo,” a series of installations that interrogate how memory and perception reverberate in physical space. Set against the gallery’s stark white walls, the works employ mirrored panels, translucent fabrics, and...

Conversations: Jessica Rankin and Gemma Rolls-Bentley | White Cube
In a recent White Cube conversation, artist Jessica Rankin discusses how she navigates a fluid, improvisational workflow that blurs the line between painting and embroidery. Rankin explains that she never received formal training in either medium, which she credits for the...