‘Euphoria’: Sam Levinson on Season 3’s Western Connection and Why They Shot on 65mm Film Stock

‘Euphoria’: Sam Levinson on Season 3’s Western Connection and Why They Shot on 65mm Film Stock

IndieWire
IndieWireApr 18, 2026

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Why It Matters

Using 65 mm film raises production costs but signals a premium visual push that could redefine cinematic standards for premium‑streaming series. It highlights how aesthetic ambition can become a differentiator in a crowded content market.

Key Takeaways

  • First TV series to shoot on 65 mm film stock
  • Western visual language frames characters’ outlaw journeys
  • Shift from subjective to objective camera work
  • Collaboration with Kodak created a vintage‑style stock
  • Larger format may influence future high‑budget streaming productions

Pulse Analysis

The decision to film *Euphoria* Season 3 on 65 mm marks a bold departure from the digital‑first workflow that dominates modern television. While most streaming dramas rely on 4K digital cameras for efficiency, the large‑format celluloid offers unparalleled depth, grain, and color rendition that harken back to classic cinema. Levinson and Rév’s partnership with Kodak produced a custom stock that mimics older emulsions, giving the series a nostalgic yet fresh aesthetic that differentiates it from competitors.

Western influences run deep in the new season, with opening sequences placing Rue and other characters against sweeping desert vistas reminiscent of *Rio Bravo* and *Last Train from Gun Hill*. This visual language reinforces narrative themes of freedom, consequence, and the outlaw spirit, while the wider frames invite viewers to see the characters as part of a larger, unforgiving world. By moving away from the intimate, handheld style of earlier seasons, the show invites a more cinematic, almost mythic interpretation of teenage turmoil.

Industry observers note that the 65 mm choice could set a precedent for premium‑budget series willing to invest in film’s tactile qualities despite higher costs and logistical challenges. The move may encourage other creators to experiment with large‑format stock, especially as streaming platforms seek distinctive visual signatures to attract discerning audiences. As *Euphoria* rolls out, its success will likely influence how studios balance artistic ambition with financial realities in the evolving landscape of high‑end television production.

‘Euphoria’: Sam Levinson on Season 3’s Western Connection and Why They Shot on 65mm Film Stock

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