
The participation of key international buyers signals heightened global demand for Australian content, accelerating co‑production and export opportunities. It positions Australia’s screen sector to secure larger financing and broader audience reach.
SCREEN FOREVER 40, held on Queensland’s Gold Coast from 28 to 30 April 2026, has expanded its international roster to include senior executives from four leading overseas firms. Bankside Films’ head of acquisitions, Mediawan Rights’ scripted content lead, New Zealand’s public broadcaster TVNZ, and Sky NZ will sit alongside Australian producers in panels, pitch sessions and the SPA Connect marketplace. By gathering buyers, commissioners and distributors under one roof, the conference creates a rare face‑to‑face environment that accelerates deal‑making and showcases the depth of Australia’s creative talent.
For Australian creators, the direct involvement of these executives translates into tangible pathways for scripted and unscripted projects to reach global audiences. Bankside Films has a long‑standing relationship with local filmmakers, and its renewed focus on Australian titles promises additional acquisition pipelines. Mediawan Rights is actively scouting English‑language productions, offering a gateway to European markets, while TVNZ and Sky NZ bring Pacific‑region distribution clout. The SPA Connect marketplace will enable producers to pitch co‑production structures, secure pre‑sales and tap into financing that would otherwise be inaccessible.
The influx of international decision‑makers reflects a broader industry shift toward cross‑border collaboration as streaming platforms demand diverse, high‑quality content. Australia’s reputation for strong storytelling and production value positions it well to capitalize on this demand, and events like SCREEN FOREVER serve as catalysts for sustained export growth. As more overseas executives attend future editions, the ecosystem is likely to see increased investment, talent retention, and a stronger negotiating position in global content negotiations, reinforcing the country’s status as a premier screen market.
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