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MediaNewsOzen.fm Arrives in Brazil and Appoints Priscila Falcone as Commercial Director
Ozen.fm Arrives in Brazil and Appoints Priscila Falcone as Commercial Director
Media

Ozen.fm Arrives in Brazil and Appoints Priscila Falcone as Commercial Director

•February 23, 2026
0
Sounds Profitable
Sounds Profitable•Feb 23, 2026

Companies Mentioned

Nissan Canada

Nissan Canada

Ubisoft

Ubisoft

UBI

Toyota Canada

Toyota Canada

General Motors

General Motors

GM

Why It Matters

Brazil’s burgeoning audio audience offers advertisers untapped reach, and Ozen.fm’s localized leadership positions the company to capture early market share and set new standards for programmatic podcast monetization.

Key Takeaways

  • •Ozen.fm launches in Brazil with local leadership
  • •Priscila Falcone becomes Commercial Director
  • •Brazil's digital audio market shows rapid growth
  • •Advertising spend in audio still has expansion room
  • •Ozen.fm offers programmatic podcast monetization globally

Pulse Analysis

The global podcast ecosystem is entering a phase of accelerated consolidation, and Ozen.fm’s decision to launch in Brazil underscores that momentum. In the United States, digital audio has been the fastest‑growing ad format for four straight years, according to IAB data, and Latin America mirrors that trend with expanding listener bases across mobile, smart‑speaker, and in‑car platforms. Brazil, the region’s largest market, now boasts a highly engaged audience that still leaves considerable headroom for advertising dollars, making it a prime frontier for programmatic audio players.

Appointing Priscila Falcone as Commercial Director gives Ozen.fm a seasoned leader who has built programmatic and digital‑audio solutions for brands such as Claro, Ubisoft, and major automotive manufacturers. Her experience bridges agency relationships, data‑driven targeting, and performance‑based measurement—key ingredients for scaling inventory and delivering brand‑safe impressions. By leveraging Ozen.fm’s curated inventory and advanced dynamic ad insertion technology, advertisers can reach niche, multilingual listeners while retaining the transparency required for modern media buying.

The move signals a broader shift in Latin America, where creators, platforms, and brands are converging around audio content. As regional advertisers allocate more budget to podcast and streaming radio, competition among monetization networks will intensify, pushing innovation in measurement standards and cross‑border inventory sharing. Ozen.fm’s multilingual focus positions it to capture not only Brazil’s domestic spend but also the diaspora audience, potentially reshaping the revenue landscape for under‑monetized audio assets across the continent.

Ozen.fm arrives in Brazil and appoints Priscila Falcone as Commercial Director

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