WKRP Is Back in Cincinnati

WKRP Is Back in Cincinnati

Radio World
Radio WorldMay 4, 2026

Companies Mentioned

Why It Matters

Reviving a culturally resonant brand gives the network a competitive edge in the crowded FM market and creates a unified advertising platform across the Ohio River valley.

Key Takeaways

  • Radioactive LLC acquired WKRP call sign for 97.7 FM.
  • WKRP branding now spans three full‑power stations in Ohio and Kentucky.
  • Former sitcom voice Gary Sandy recorded new liners for launch.
  • Oldies library features ~1,800 tracks from 1960s‑1980s.
  • LPFM WKRP in Raleigh keeps calls; sale funds nonprofit.

Pulse Analysis

The return of the WKRP call letters to Cincinnati marks a rare blend of pop‑culture nostalgia and strategic market positioning. Nearly five decades after the sitcom popularized the fictional station, the real‑world 97.7 FM now carries the iconic brand, complete with voice‑over work from Gary Sandy, the actor who portrayed Andy Travis. By leveraging a name that still resonates with baby‑boomers and Gen X listeners, the owners aim to differentiate their old‑ies format in a crowded FM landscape, turning a cultural touchstone into a commercial asset.

The acquisition was orchestrated by Randy Michaels’ Radioactive LLC, which purchased the WKRP rights in April and folded the calls into “The Oasis” network—a three‑station simulcast that includes 94.5 FM (formerly WOXY) near Dayton and 106.7 FM WNKR in Williamstown, Kentucky. This regional footprint gives the brand coverage across the Ohio River valley, allowing advertisers to reach a unified audience with a single sales package. The coordinated launch, highlighted by a midnight loop of the show’s theme song, underscores the deliberate effort to create a seamless listening experience across state lines.

Programming-wise, the new WKRP leans on an 1,800‑track library spanning the 1960s to the 1980s, positioning itself as a pure old‑ies service rather than a sitcom parody. This depth of catalog appeals to advertisers targeting affluent, nostalgia‑driven demographics, while the involvement of original cast talent adds authenticity. Meanwhile, the low‑power FM station WKRP‑LP in Raleigh retains the call sign under FCC rules, with the proceeds from the sale helping the nonprofit stay solvent. The dual‑market arrangement illustrates how legacy branding can be monetized across both commercial and community radio sectors.

WKRP Is Back in Cincinnati

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