IP Empowerment: From Made in China to Created in China

CGTN (Global Business)
CGTN (Global Business)Apr 30, 2026

Why It Matters

China’s IP‑driven cultural surge reshapes global media markets, offering new growth avenues for creators, investors, and distributors seeking high‑quality Chinese content.

Key Takeaways

  • China shifts from mass manufacturing to IP-driven cultural exports.
  • Online literature, short dramas, and games drive global Chinese content.
  • Copyright is essential foundation for originality and industry health.
  • Professors highlight IP's role in empowering creators and profit cycles.
  • Quality leadership replaces volume export, positioning China as cultural innovator.

Summary

The video examines China’s strategic pivot from a reputation built on cheap, large‑scale manufacturing to one rooted in intellectual‑property‑rich cultural output. By spotlighting the rise of online literature, short‑form dramas, and interactive games, the narrative frames a new “created in China” brand that seeks global relevance.

Professor Cui of Tsinghua University explains that robust copyright enforcement underpins originality and long‑term industry health. He argues that when creators capture the economic benefits of their work, they gain the resources and incentive to produce higher‑quality content, turning IP into a growth engine rather than a peripheral concern.

The discussion moves from academic theory to frontline industry practice, illustrating how Chinese firms are restructuring profit models to reinvest in creative talent. Cui notes, “Copyright protects creativity; IP builds value,” underscoring the feedback loop between legal safeguards and artistic ambition.

For businesses worldwide, the shift signals a move from China as a volume exporter to a leader in cultural innovation. Companies that partner with Chinese creators or acquire IP rights stand to tap into a rapidly expanding global audience hungry for fresh narratives.

Original Description

Efficient production and large-scale manufacturing used to be how the world knew China.
Today, the “new three treasures” of culture – online literature, short dramas and online games – are presenting a new label to the world: Created in China.
As Chinese content gains global popularity, we can’t help but wonder: What truly supports its steady and far-reaching journey?
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