ESG, Ross McElwee, and Other Exciting Artists Take Over True/False 2026
The 23rd True/False Film Festival opens in Columbia, Missouri from March 5‑8, 2026 under the "You Are Here" theme selected by artistic director Yance Ford. The program blends non‑fiction world premieres—Ross McElwee’s "Remake," Josef Gatti’s "Phenomena," Bryn Silverman’s "Pinball," Carolina González Valencia’s "How to Clean a House in Ten Easy Steps," and Yael Bridge’s "Who Moves America"—with high‑profile music performances by ESG and indie act @. The festival continues its reputation as a launchpad for boundary‑pushing documentaries and cultural events. It also highlights labor‑focused storytelling amid ongoing UPS contract negotiations.
“A Trippy, Psychedelic Musical Odyssey”: Josef Gatti on Phenomena
Australian filmmaker Josef Gatti’s debut feature Phenomena transforms a decade‑long series of scientific short films into a 90‑minute documentary that captures real molecular reactions with high‑speed cameras. The film pairs these trippy visuals with original scores by Nils Frahm and...
How The Secret Agent Became Brazil’s Reluctant Political Rorschach Test
Brazil’s period drama *The Secret Agent* has emerged as a surprise Oscar contender, leading the domestic box office among Best Picture nominees. The film’s success coincides with Brazil’s October presidential election, where incumbent Lula seeks a historic fourth term against...
For Once, the Oscars Are Unpredictable
The Oscar race has become unusually fluid, with the usual frontrunners reduced to maybes as final voting approaches. Michael B. Jordan’s surprise best‑actor win for *Sinners* at the SAG Awards rattled the field, while Sean Penn’s supporting win and Amy Madigan’s horror‑genre...
The Sommelier’s Amulet: Nick Corirossi and Armen Weitzman on The Napa Boys
Comedians Nick Corirossi and Armen Weitzman have written, co‑directed and starred in “The Napa Boys,” a self‑referential comedy that imagines a fourth installment of a fictional wine‑centric franchise. The film debuted in TIFF’s Midnight Madness program, screened in IMAX, and...
“I Wanted the Film to Have the Vignetted Existence of a Fable”: Sarmad Sultan Khoosat on His Genre-Bending Berlinale Premiere...
Pakistani director Sarmad Sultan Khoosat’s supernatural horror‑musical Lali debuted in Berlin’s Panorama, marking Pakistan’s first all‑local film at the Berlinale. Inspired by a family short story, the film fuses horror, black comedy, folk songs and a vivid red‑purple palette to explore...