The New Yorker – Culture/Books

The New Yorker – Culture/Books

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Book criticism, essays, fiction, poetry, and author profiles shaping literary culture.

What Will It Take to Get A.I. Out of Schools?
NewsApr 23, 2026

What Will It Take to Get A.I. Out of Schools?

The rollout of generative AI tools—most notably Google’s Gemini—on school‑issued Chromebooks is rapidly reaching K‑12 classrooms across the United States. Districts from Boston to Los Angeles are embedding chatbots, image generators, and AI‑assisted writing aids into daily lessons, while parents, teachers’...

By The New Yorker – Culture/Books
A Wunderkind’s Best-Selling Nostalgia
NewsApr 23, 2026

A Wunderkind’s Best-Selling Nostalgia

Swiss student Nelio Biedermann’s debut novel “Lázár” has become a cultural phenomenon, topping Germany’s bestseller list for 29 weeks and attracting translation deals in over 25 languages. The 300‑page, maximalist saga reimagines his aristocratic Hungarian ancestors’ fate from the Austro‑Hungarian...

By The New Yorker – Culture/Books
Is the Ticketmaster Monopoly Verdict a Mirage?
NewsApr 21, 2026

Is the Ticketmaster Monopoly Verdict a Mirage?

The New Yorker’s Paula Mejía recounts a night of frantic ticket hunting for the Oasis reunion, only to be thwarted by Ticketmaster’s opaque queues and disappearing seats. The piece uses this personal experience to question whether the recent antitrust verdict declaring...

By The New Yorker – Culture/Books
If You Ask Me: Save the Rich White Women
NewsApr 21, 2026

If You Ask Me: Save the Rich White Women

Libby Gelman‑Waxner’s column spotlights a growing streaming‑TV formula that centers affluent white women in crisis, citing Nicole Kidman’s repeated roles in titles like *The Perfect Couple* and *The Undoing*. The piece outlines a recurring playbook: opulent homes, glamorous wardrobes, troubled...

By The New Yorker – Culture/Books
Thomas McGuane on Decency and Feral Charm
NewsApr 19, 2026

Thomas McGuane on Decency and Feral Charm

Thomas McGuane discusses his short story “Ordinary Wear and Tear,” focusing on the divergent lives of Carl, a comfortably‑raised lawyer, and Jed, a self‑made, feral‑charming outsider. The interview reveals how memory, unconscious impulses, and class contrast shaped the characters and their...

By The New Yorker – Culture/Books
A Genocide Scholar Asks “What Went Wrong” In Israel
NewsApr 17, 2026

A Genocide Scholar Asks “What Went Wrong” In Israel

Genocide scholar Omer Bartov, a Brown University professor, released his new book *Israel: What Went Wrong?* arguing that Zionism has evolved into an extremist ideology that enabled a genocide in Gaza after the October 7 Hamas attacks. He contends that Israel’s...

By The New Yorker – Culture/Books
Patrick Radden Keefe on “London Falling,” His Book About a Teen-Ager’s Mysterious Life and Death
NewsApr 17, 2026

Patrick Radden Keefe on “London Falling,” His Book About a Teen-Ager’s Mysterious Life and Death

Patrick Radden Keefe’s latest book, *London Falling*, expands a New Yorker feature about the mysterious death of teenager Zac Brettler. While in London filming the TV adaptation of *Say Nothing*, Keefe learned Brettler had assumed the identity of a Russian oligarch’s...

By The New Yorker – Culture/Books
“Beef,” “The Drama,” And the New Marriage Plot
NewsApr 16, 2026

“Beef,” “The Drama,” And the New Marriage Plot

Marriage rates in the United States hit a 140‑year low in 2019 and have not recovered, prompting cultural reflection. On the latest Critics at Large episode, hosts discuss Netflix’s anthology “Beef” and A24’s film “The Drama,” both depicting strained couples...

By The New Yorker – Culture/Books
Is Zohran Mamdani’s “Sewer Socialism” Resonating?
NewsApr 16, 2026

Is Zohran Mamdani’s “Sewer Socialism” Resonating?

Zohran Mamdani’s first hundred days as New York mayor showcase his “sewer socialism” approach—high‑visibility public works paired with disciplined, media‑forward messaging. He has advanced universal child‑care and other affordability initiatives while recalibrating some campaign promises. Mamdani’s governance balances pragmatic cooperation...

By The New Yorker – Culture/Books
Cory Doctorow on the High Cost of Living with the Ultra-Rich
NewsApr 15, 2026

Cory Doctorow on the High Cost of Living with the Ultra-Rich

Cory Doctorow defines "billionaireism" as the moral vacuum created by ultra‑rich elites and the platform decay he calls "enshittification." In a recent interview he highlights three books that dissect this phenomenon: Sarah Wynn‑Williams’s "Careless People" reveals Facebook’s internal harassment and...

By The New Yorker – Culture/Books
How Project Maven Put A.I. Into the Kill Chain
NewsApr 15, 2026

How Project Maven Put A.I. Into the Kill Chain

Project Maven, Palantir’s AI‑powered intelligence platform, has become the Pentagon’s central kill‑chain tool, now backed by a $1.3 billion contract and integrated large‑language models like Anthropic’s Claude. The system can process up to 5,000 targets per hour, enabling rapid strike decisions...

By The New Yorker – Culture/Books
Briefly Noted Book Reviews
NewsApr 13, 2026

Briefly Noted Book Reviews

The April 13 2026 Briefly Noted roundup spotlights four new titles: Evelyn Iritani’s nonfiction "Safe Passage" reveals the fraught US‑Japan civilian exchanges of World War II, exposing constitutional violations and diplomatic heroism. Benjamin Hale’s true‑crime narrative "Cave Mountain" juxtaposes a 2001 Ozark disappearance...

By The New Yorker – Culture/Books
Douglas Stuart on the Push and Pull of an Old Life Versus a New One
NewsApr 12, 2026

Douglas Stuart on the Push and Pull of an Old Life Versus a New One

Douglas Stuart discusses how his new short story "A Private View" and upcoming novel "John of John" examine the friction between a working‑class Scottish upbringing and a privileged New York art world. He reveals that his own childhood poverty, his mother’s...

By The New Yorker – Culture/Books
“Blue Heron” Is an Exalted Drama of Troubled Childhood
NewsApr 12, 2026

“Blue Heron” Is an Exalted Drama of Troubled Childhood

Sophy Romvari’s debut feature "Blue Heron" opens as a memory‑driven drama set on 1990s Vancouver Island, chronicling sister Sasha’s recollection of her brother Jeremy’s oppositional‑defiant disorder and the family’s struggle to cope. The film blends documentary‑style interviews, precise cinematography by...

By The New Yorker – Culture/Books
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