
Are Humans Naturally Monogamous? | The Hook Up Podcast
The Hook Up Podcast tackles the perennial question, "Are humans naturally monogamous?" Host D. Selman and Pip Rasmusen frame the episode as a research‑driven deep dive, deliberately avoiding moral judgments about polyamory versus monogamy. They outline the scientific terrain, from evolutionary anthropology to neurobiology, to determine whether monogamy is a cultural construct or a biological imperative. The discussion presents two opposing bodies of evidence. Pro‑non‑monogamy scholars cite Christopher Ryan’s *Sex at Dawn*, arguing that hidden ovulation encouraged frequent sex as a social glue in small, cooperative bands. Evolutionary biologists like David P. Barash highlight classic polygyne benefits—male sperm competition, increased genetic diversity, and resource acquisition—while noting that over 80% of early societies were polygynous. Physiological clues, such as medium‑sized testes and straightforward human penile morphology, are interpreted as signs of reduced sperm competition. Conversely, researchers emphasizing innate monogamy point to oxytocin‑driven pair bonding, Helen Fisher’s brain‑imaging work, and Cat Bonahan’s analysis of primate reproductive anatomy, which suggests humans evolved for longer, more exclusive partnerships. A recent Cambridge study placed humans seventh on a monogamy scale among 35 species, with 66% full‑sibling rates—far higher than chimpanzees or dolphins. Evolutionary anthropologist Anna Matchen clarifies the critical distinction between social monogamy (co‑parenting) and true sexual monogamy, noting that only 0.0015% of species exhibit the latter. The episode underscores that human mating strategies are neither wholly monogamous nor entirely promiscuous but exist on a spectrum shaped by biology, ecology, and culture. Recognizing the nuance informs relationship counseling, public policy on marriage, and personal expectations, urging listeners to align their partnership models with both evolutionary insights and individual values.

Behind MAY-A’s Cover of Stevie Nicks' ‘Edge of Seventeen’ for Like A Version (Interview)
In a candid interview, Australian indie‑pop singer‑songwriter MAY‑A explains why she tackled Stevie Nicks’ “Edge of Seventeen” for Triple J’s “Like A Version” segment. She notes the original was written after Nicks lost her uncle and John Lennon, describing it as...

MAY-A - 'Last Man On Earth' (Live for Like A Version)
The video captures Australian singer‑songwriter MAY‑A’s live rendition of “Last Man On Earth” for Triple J’s Like A Version, a platform known for stripped‑down covers that reveal an artist’s raw edge. Set against a minimalist stage, the performance foregrounds the song’s haunting chorus...

MAY-A Covers Stevie Nicks’ ‘Edge of Seventeen’ for Like A Version
The video features Australian indie duo MAY‑A covering Stevie Nicks' 1981 hit "Edge of Seventeen" for Triple J's "Like a Version". The performance strips the original's driving rock arrangement down to acoustic guitars and layered harmonies, offering a more intimate...

Behind Lucy Dacus' Like a Version
Lucy Dacus offers a behind‑the‑scenes look at her spontaneous cover of Daniel’s song “Who Knows,” describing it as a perfect, uncertain love ballad that resonated with her while listening to his new record. The impromptu session unfolded in a hotel room,...

Sophie Ellis-Bextor on 25 Years of Murder on the Dancefloor I Take 5 Podcast Interview
Sophie Ellis‑Bextor sat down with the I Take 5 podcast to mark the 25‑year milestone of her breakout single “Murder on the Dancefloor.” The conversation turned into a broader reflection on how the song’s unexpected resurgence has informed her eighth studio effort,...

Behind Baker Boy's Like a Version
The video offers a behind‑the‑scenes look at a fan‑created remix of Baker Boy’s “Like a Version,” where the creator layers his own “Yaki” track over the original and injects high‑energy jump motifs. He explains adding “crisscross” beats, Van Halen‑style jump references, and...

Oklou Takes You Behind Her Like a Version
The video offers an intimate look at French electronic producer Oklou’s creative process, revealing how she balances nostalgic teenage influences with modern production techniques. She recounts growing up blasting harmonies with friends, a habit that still informs her desire for...

Oklou - ’Viscus’ (Live for Like A Version)
The video captures French producer‑singer Oklou’s live rendition of “viscus” on NPR’s “Like A Version” series, a platform known for artists reinterpreting songs in intimate settings. Filmed in a modest studio with dim lighting, the performance strips away studio polish,...

Behind Oklou's Cover of Plain White T's ‘Hey There Delilah’ for Like A Version (Interview)
French electronic artist Oklou explains why she chose to reinterpret Plain White T’s 2006 hit “Hey There Delilah” for Triple J’s iconic “Like A Version” segment. The cover marks her first appearance on the Australian program and reflects a personal connection to the...

Oklou Covers Plain White T’s’ ‘Hey There Delilah’ for Like A Version
French electronic producer Oklou delivered a fresh take on the 2006 Plain White T’s ballad “Hey There Delilah” during Triple J’s “Like a Version” segment, a weekly series where artists perform live covers for a global audience. The rendition swaps the...

Wolf Alice | Full Set (Live at Laneway 2026)
Wolf Alice took the stage at Sydney’s Laneway Festival 2026 for a full‑length set that mixed their best‑known singles with several unreleased tracks, delivering a high‑energy performance that kept the crowd moving from start to finish. Throughout the show the...

Wolf Alice - 'The Sofa' (Live at Laneway 2026)
Wolf Alice took the Laneway Festival stage in 2026 to perform an intimate version of “The Sofa,” a track from their 2021 album “Blue Weekend.” The set, stripped down to acoustic guitar and subtle percussion, highlighted the band’s willingness to...

Wolf Alice - 'How Can I Make It OK?' (Live at Laneway 2026)
Wolf Alice took the stage at Laneway 2026 to deliver a rousing live rendition of “How Can I Make It OK?” The band opened with palpable excitement, greeting the audience and urging fans to join in the chorus, instantly turning...

The Veronicas Cover Sombr ‘12 to 12’ for Like A Version
The video captures Australian pop duo The Veronicas delivering a fresh take on the song “12 to 12” during Triple J’s iconic “Like a Version” segment. Stripped of the original’s acoustic vibe, the sisters infused the track with synth‑driven arrangements and...

The Veronicas - ’Untouched’ (Live for Like A Version)
The Veronicas delivered a live rendition of their 2007 hit “Untouched” on Triple J’s iconic “Like a Version” segment, swapping the studio‑produced pop‑electro backdrop for a raw, band‑driven arrangement. The performance highlighted the duo’s tight vocal chemistry, with Jessica and Lisa...

The Veronicas on the Backstory of ‘Untouched’ & Covering Sombr for Like A Version (Interview)
The Veronicas sat down to discuss two pivotal moments in their career: covering Sombar’s “12 to 12” for Triple J’s “Like a Version” and the creation of their breakout hit “Untouched.” The conversation blends nostalgia with insight, revealing how a collaborative...

Behind Turnstile’s Cover of The Stone Roses’ ‘I Wanna Be Adored’ for Like A Version (Interview)
Turnstile’s latest interview reveals the band’s decision to record a studio version of The Stone Roses’ “I Wanna Be Adored” for Triple J’s Like A Version segment. The punk‑hardcore outfit explains that the song’s iconic bass line and simple yet...

Behind Turnstile's Like a Version
The video centers on a heartfelt cover of a classic track, selected as a tribute following the passing of a figure named Manny. The presenter, a self‑identified Brit and longtime fan, explains that the song’s uncomplicated yet powerful bass line...

Turnstile Cover The Stone Roses' ‘I Wanna Be Adored’ for Like A Version
Turnstile, a Philadelphia‑based hardcore punk outfit, recorded a cover of The Stone Roses’ 1989 anthem “I Wanna Be Adored” for Triple J’s iconic “Like a Version” segment, marking a rare foray into Brit‑rock territory for the band. The rendition strips the original’s...