The Dreggs - 'Get Knocked Down' (Live at Lime Green Fest 2026)
The Dreggs delivered a high‑octane rendition of “Get Knocked Down” at Lime Green Fest 2026, turning a studio‑recorded anthem into a visceral live experience. The performance leaned heavily on the song’s core message of resilience, with the front‑woman’s vocal delivery oscillating between vulnerability and defiance. The band’s tight rhythm section and spontaneous guitar flourishes underscored the lyrical confession of feeling knocked down yet refusing to stay there. A standout moment came when the singer repeated, “I feel sorry for myself… I’ll get knocked down,” prompting the crowd to chant back in unison, a call‑and‑response that amplified the track’s cathartic release. The set not only reinforced The Dreggs’ reputation for emotionally charged live shows but also highlighted Lime Green Fest’s growing influence as a launchpad for emerging indie acts, signaling broader market traction for the group.
Lime Cordiale - 'Robbery' (Live at Lime Green Fest 2026)
Lime Cordiale’s live rendition of "Robbery" at Lime Green Fest 2026 became the centerpiece of the weekend’s indie‑pop showcase, drawing a packed crowd and streaming audiences worldwide. The band’s high‑energy delivery, punctuated by soaring vocal harmonies and a driving rhythm...
A Day To Remember on 12 Years of Aus Tours, Big Ole Album Vol. 2, the Future of Hardcore |...
The interview celebrates A Day to Remember’s twelve‑year relationship with Australia, announcing the upcoming Big Old Album Vol. 2 and reflecting on the band’s role in the evolving hardcore scene. Key insights include the band’s strategic curation of support acts—such as Papa Roach...
Ethel Cain Takes You Behind Her Like a Version #ethelcain
In a candid video, singer‑songwriter Ethel Cain breaks down her approach to covering Angels & Airwaves’ 2006 anthem “The Adventure,” emphasizing that the track’s original perfection should remain untouched. Cain explains she “nitpicked” every guitar lick, bend and chord, insisting the...
Behind Ethel Cain’s Cover of Drive-By Truckers’ ‘Angels and Fuselage’ for Like A Version (Interview)
Emerging singer‑songwriter Ethel Cain announced she will perform a cover of Drive‑By Truckers’ “Angels and Fuselage” on Triple J’s iconic “Like a Version” segment, a platform known for high‑profile reinterpretations. Cain explained the song’s selection stems from a formative road‑trip memory:...
Ethel Cain - ‘Thoroughfare’ (Live for Like A Version)
Ethel Cain delivered a live rendition of her new track “Thoroughfare” on Australian radio station triple j’s flagship segment, Like A Version. The performance was recorded and posted to YouTube, accompanied by a full roster of senior producers and engineers. The session marks...
Ethel Cain Covers Drive-By Truckers’ ‘Angels and Fuselage’ for Like A Version
Australian music program Triple J’s “Like a Version” featured a striking cover by emerging singer‑songwriter Ethel Cain, who tackled Drive‑By Truckers’ 2021 track “Angels and Fuselage.” The performance, filmed in the show’s intimate studio, introduced Cain’s dark, cinematic aesthetic to...
Sam Fender on How Olivia Dean Jumped on 'Rein Me In' #samfender #oliviadean #interview
Sam Fender discusses how Olivia Dean became the perfect partner for the duet "Rain Me In," a track that emerged from an unexpected collaboration. Fender initially considered a label‑pushed single, but he sent Dean his entire album, allowing her to...
Sam Fender on 'Rein Me In' With Olivia Dean, Meeting Elton John and Star Wars | Interview
The interview captures Sam Fender’s whirlwind Los Angeles visit, where a last‑minute label‑arranged ticket landed him at a Paul McCartney show, followed by chance encounters with Elton John, Al Pacino and a Star Wars experience at Disneyland. Fender celebrates the meteoric rise of his single...
Artemis II, Decomposition and Breast Milk
The episode opens with NASA’s Artemis II lift‑off, marking the first crewed lunar‑orbit mission since Apollo and featuring historic firsts – a woman, a person of color and a non‑U.S. citizen among the four astronauts. Dr. Carl notes the spacecraft relies on...
BABYMETAL on Redefining Metal and Touring with Bloodywood | Interview
The interview centers on BABYMETAL’s recent Australian tour, their partnership with Indian metal act Bloodywood, and the band’s broader mission to reshape perceptions of heavy music. Host Jack Berg highlights the group’s excitement about packed venues, enthusiastic crowds, and the...
Jem Cassar-Daley | Full Set (Live for Triple J’s 50th Tour)
Jem Cassar‑Daley took the stage in Gold Coast as part of triple J’s 50th Tour, delivering a high‑energy live set that blended fresh material with fan‑favorites. The performance, streamed to a national audience, highlighted her emergence as a leading voice in Australia’s...
Behind Kevin Abstract’s Cover of Q Lazzarus' ‘Goodbye Horses’ for Like A Version (Interview)
Kevin Abstract sat down to explain his decision to cover Q Lazzarus’s 1988 cult classic “Goodbye Horses” on Triple J’s Like A Version, a move that dovetails with his upcoming original track “The Feeling.” The interview reveals how the song’s haunting vibe has long resonated...
Kevin Abstract Covers Q Lazzarus' 'Goodbye Horses' For Like A Version
Australian radio program Triple J’s ‘Like a Version’ featured Kevin Abstract’s cover of Q Lazzarus’s 1988 cult classic ‘Goodbye Horses.’ The indie‑rap artist stepped out of his usual hip‑hop palette to reinterpret the eerie, synth‑driven track for a live studio...
Are Humans Naturally Monogamous? | The Hook Up Podcast
The Hook Up Podcast tackles the perennial question, "Are humans naturally monogamous?" Host D. Selman and Pip Rasmusen frame the episode as a research‑driven deep dive, deliberately avoiding moral judgments about polyamory versus monogamy. They outline the scientific terrain, from...
Behind MAY-A’s Cover of Stevie Nicks' ‘Edge of Seventeen’ for Like A Version (Interview)
In a candid interview, Australian indie‑pop singer‑songwriter MAY‑A explains why she tackled Stevie Nicks’ “Edge of Seventeen” for Triple J’s “Like A Version” segment. She notes the original was written after Nicks lost her uncle and John Lennon, describing it as...
MAY-A - 'Last Man On Earth' (Live for Like A Version)
The video captures Australian singer‑songwriter MAY‑A’s live rendition of “Last Man On Earth” for Triple J’s Like A Version, a platform known for stripped‑down covers that reveal an artist’s raw edge. Set against a minimalist stage, the performance foregrounds the song’s haunting chorus...
MAY-A Covers Stevie Nicks’ ‘Edge of Seventeen’ for Like A Version
The video features Australian indie duo MAY‑A covering Stevie Nicks' 1981 hit "Edge of Seventeen" for Triple J's "Like a Version". The performance strips the original's driving rock arrangement down to acoustic guitars and layered harmonies, offering a more intimate...
Behind Lucy Dacus' Like a Version
Lucy Dacus offers a behind‑the‑scenes look at her spontaneous cover of Daniel’s song “Who Knows,” describing it as a perfect, uncertain love ballad that resonated with her while listening to his new record. The impromptu session unfolded in a hotel room,...
Sophie Ellis-Bextor on 25 Years of Murder on the Dancefloor I Take 5 Podcast Interview
Sophie Ellis‑Bextor sat down with the I Take 5 podcast to mark the 25‑year milestone of her breakout single “Murder on the Dancefloor.” The conversation turned into a broader reflection on how the song’s unexpected resurgence has informed her eighth studio effort,...
Behind Baker Boy's Like a Version
The video offers a behind‑the‑scenes look at a fan‑created remix of Baker Boy’s “Like a Version,” where the creator layers his own “Yaki” track over the original and injects high‑energy jump motifs. He explains adding “crisscross” beats, Van Halen‑style jump references, and...
Oklou Takes You Behind Her Like a Version
The video offers an intimate look at French electronic producer Oklou’s creative process, revealing how she balances nostalgic teenage influences with modern production techniques. She recounts growing up blasting harmonies with friends, a habit that still informs her desire for...
Oklou - ’Viscus’ (Live for Like A Version)
The video captures French producer‑singer Oklou’s live rendition of “viscus” on NPR’s “Like A Version” series, a platform known for artists reinterpreting songs in intimate settings. Filmed in a modest studio with dim lighting, the performance strips away studio polish,...
Behind Oklou's Cover of Plain White T's ‘Hey There Delilah’ for Like A Version (Interview)
French electronic artist Oklou explains why she chose to reinterpret Plain White T’s 2006 hit “Hey There Delilah” for Triple J’s iconic “Like A Version” segment. The cover marks her first appearance on the Australian program and reflects a personal connection to the...
Oklou Covers Plain White T’s’ ‘Hey There Delilah’ for Like A Version
French electronic producer Oklou delivered a fresh take on the 2006 Plain White T’s ballad “Hey There Delilah” during Triple J’s “Like a Version” segment, a weekly series where artists perform live covers for a global audience. The rendition swaps the...
Wolf Alice | Full Set (Live at Laneway 2026)
Wolf Alice took the stage at Sydney’s Laneway Festival 2026 for a full‑length set that mixed their best‑known singles with several unreleased tracks, delivering a high‑energy performance that kept the crowd moving from start to finish. Throughout the show the...
Wolf Alice - 'The Sofa' (Live at Laneway 2026)
Wolf Alice took the Laneway Festival stage in 2026 to perform an intimate version of “The Sofa,” a track from their 2021 album “Blue Weekend.” The set, stripped down to acoustic guitar and subtle percussion, highlighted the band’s willingness to...
Wolf Alice - 'How Can I Make It OK?' (Live at Laneway 2026)
Wolf Alice took the stage at Laneway 2026 to deliver a rousing live rendition of “How Can I Make It OK?” The band opened with palpable excitement, greeting the audience and urging fans to join in the chorus, instantly turning...
The Veronicas Cover Sombr ‘12 to 12’ for Like A Version
The video captures Australian pop duo The Veronicas delivering a fresh take on the song “12 to 12” during Triple J’s iconic “Like a Version” segment. Stripped of the original’s acoustic vibe, the sisters infused the track with synth‑driven arrangements and...
The Veronicas - ’Untouched’ (Live for Like A Version)
The Veronicas delivered a live rendition of their 2007 hit “Untouched” on Triple J’s iconic “Like a Version” segment, swapping the studio‑produced pop‑electro backdrop for a raw, band‑driven arrangement. The performance highlighted the duo’s tight vocal chemistry, with Jessica and Lisa...
The Veronicas on the Backstory of ‘Untouched’ & Covering Sombr for Like A Version (Interview)
The Veronicas sat down to discuss two pivotal moments in their career: covering Sombar’s “12 to 12” for Triple J’s “Like a Version” and the creation of their breakout hit “Untouched.” The conversation blends nostalgia with insight, revealing how a collaborative...
Behind Turnstile’s Cover of The Stone Roses’ ‘I Wanna Be Adored’ for Like A Version (Interview)
Turnstile’s latest interview reveals the band’s decision to record a studio version of The Stone Roses’ “I Wanna Be Adored” for Triple J’s Like A Version segment. The punk‑hardcore outfit explains that the song’s iconic bass line and simple yet...
Behind Turnstile's Like a Version
The video centers on a heartfelt cover of a classic track, selected as a tribute following the passing of a figure named Manny. The presenter, a self‑identified Brit and longtime fan, explains that the song’s uncomplicated yet powerful bass line...
Turnstile Cover The Stone Roses' ‘I Wanna Be Adored’ for Like A Version
Turnstile, a Philadelphia‑based hardcore punk outfit, recorded a cover of The Stone Roses’ 1989 anthem “I Wanna Be Adored” for Triple J’s iconic “Like a Version” segment, marking a rare foray into Brit‑rock territory for the band. The rendition strips the original’s...