Review: Bunnylovr
"Bunnylovr," the debut feature from writer‑director‑actor Katarina Zhu, follows Rebecca, a twenty‑something navigating gig‑economy side hustles such as personal assisting, selling foot pictures, and online chatting, culminating in a bizarre client‑gift of a bunny. The film paints a bleak portrait of Gen‑Z economic precarity, digital isolation, and the murky ethics of cam culture, but critics note that its protagonist feels more like a symbol than a fully realized character. Despite uneven character work, the movie delivers moments of sharp observation and warmth, hinting at Zhu’s potential.
Memories of the Yellow River (2023) by Shang Ji Short Film Review
"Memories of the Yellow River" debuted at the 2023 Beijing International Short Film Festival and later became the first Chinese magical‑realist short ever selected for the 46th Moscow International Film Festival in March 2024. The film earned the Jury Special...
Films to Die For Review – Love Letter to Cinema Under the Guise of a Documentary
Films to Die For, directed by Lúcia Nagib, is a documentary that explores the late‑2000s panic over the “death of cinema” in Hollywood and the indie world. The film features interviews with Wim Wenders, Paulo Branco, Walter Salles and theorist Laura Mulvey, offering...
How EntertainLens Is Covering the New Wave of Chinese IP Going Global
Over the past eighteen months Chinese intellectual property—web‑novel adaptations, micro‑drama formats, and animated franchises—has moved from a niche trade topic to headline‑making acquisitions by Amazon, Netflix and others. EntertainLens, a Los‑Angeles‑based media platform, was created to fill the reporting gap,...
IFFLA Industry Days 2026 to Spotlight South Asian Talent and Strengthen Global Industry Connections
The Indian Film Festival of Los Angeles (IFFLA) returns for its 2026 Industry Days, a two‑day program on April 24‑25 that links South Asian filmmakers with Hollywood studios, independent platforms, and financiers. The event features panels on hybrid distribution, animation,...
On the Imperfections of Motherhood: Daughter’s Daughter by Xi Huang
"Daughter’s Daughter," directed by Xi Huang, follows Ai as she confronts the tangled legacies of motherhood with her two daughters—adopted Emma and estranged Zuer—after a sudden tragedy. The film delves into Zuer’s IVF journey, her partner’s subtle presence, and the...
BINI Docuseries (2025) by Jet Leyco Series Review
The BINI Docuseries, directed by Jet Leyco and produced by iWantTFC and ABS‑CBN, offers a three‑part, somber portrait of the Philippines’ first female idol group as it navigates formation during pandemic lockdowns, a debut concert at the New Frontier Theater,...
Stray Dog (2024) by Lai Cheuk Nam (2024) Short Film Review
Lai Cheuk Nam’s 21‑minute experimental short “Stray Dog” captured the Golden Capybara Award for Best Experimental Short at the Tiete International Film Awards. The black‑and‑white film eschews dialogue, using stark visuals, handheld camerawork, and a ritualistic soundscape to probe necropolitics...
The Sharp Point of Time (2025) by Andrew Acedo Short Film Review
Andrew Acedo’s short dramedy "The Sharp Point of Time" will debut on the West Coast at the Oscar‑qualifying Los Angeles Asian Pacific Film Festival on May 2, after a prior run at Short.Sweet.Film Fest. The film has already collected several festival...
Jakkuppatti (2026) by Anand T Film Review
Independent filmmaker Anand T’s debut short, “Jakkuppatti,” set in his native Dharmapuri village, confronts entrenched patriarchy and rising sexual violence in contemporary India. Drawing on 2019 crime data that a rape occurs every 16 minutes, the film weaves multiple village...
Historic Milestone for Malaysian Cinema as Majid Majidi Attends Private Screening of “LIFE – Living In Fear Everyday”
Iranian Oscar‑nominated director Majid Majidi attended a private screening of the Malaysian micro‑budget silent short “LIFE – Living In Fear Everyday,” marking the first time a Malaysian short has been shown in his presence. Director Justin Franz, who shot the...
We’re Nothing At All (2026) by Herman Yau Film Review
Herman Yau’s new social drama “We’re Nothing At All” premiered at the Hong Kong International Film Festival and entered theaters, pulling roughly US$500,000 in its first two weeks. The film re‑imagines a 1998 Wuhan bus bombing in Hong Kong, focusing...
A Dance With Rainbows (2025) by Lee Yi-Shan Film Review
Lee Yi‑shan’s feature debut, “A Dance with Rainbows,” premiered at the Hong Kong International Film Festival, where Yu An‑shun captured the Best Actor award. The film follows 20‑year‑old amateur boxer Ling, whose personal and family struggles unfold amid underground match...
Shanghai Daughter (2026) by Agnis Shen Zhongmin Bad Accent Review
"Shanghai Daughter," the debut feature by Agnis Shen Zhongmin, premiered at the 2026 Berlin International Film Festival and later screened at Hong Kong. The film follows a woman tracing her father’s past during the Down to the Countryside Movement, blending...
Merit and the Egyptian God Vol 1 (2022) by Yukari Sakai, Fuyu Tsuyama and Yukimi Hashimoto Manga Review
"Merit and the Egyptian God" Volume 1, a new shoujo manga from Hana to Yume, follows teenager Merit as she is thrust into the Egyptian Underworld and teams up with a cursed Anubis to restore his divine form. The series mixes...