Ellen Pompeo to Lead Hulu's Chicks / Joshua Jackson Joins Your Friends & Neighbors / Sadie Sink to Star in FX's The Marriage Plot

Key Takeaways

• Ellen Pompeo headlines Hulu's crime‑dramedy pilot "Chicks," production slated for September
• Joshua Jackson added to ABC's "Your Friends & Neighbors" for Season 3
• Sadie Sink stars and EPs FX's "The Marriage Plot" adaptation
• Hugh Laurie joins BBC/MGM+ le‑Carre series "Legacy of Spies," a big‑budget bet
• Netflix renews "Devil May Cry" for third, final season completing saga

Pulse Analysis

Ellen Pompeo’s return to Hulu as the lead of the crime‑dramedy pilot “Chicks” highlights how streaming services are leveraging established TV talent to anchor new original content. The series, built around a half‑sister con‑artist premise, will begin shooting in New York this September, signaling Hulu’s commitment to fresh, character‑driven dramas after the success of “Good American Family.” Meanwhile, Joshua Jackson’s addition to ABC’s “Your Friends & Neighbors” and Sadie Sink’s dual role as star and executive producer on FX’s adaptation of “The Marriage Plot” illustrate broadcast and premium networks’ parallel push to attract younger, binge‑watch audiences with recognizable faces.

The pipeline of high‑budget prestige projects underscores networks’ willingness to invest heavily in limited‑series storytelling. Peacock’s adaptation of Katherine Faulkner’s novel “The Break‑In,” produced by the “All Her Fault” team, adds another female‑driven mystery to its slate, while BBC and MGM+ are banking on “Legacy of Spies,” a prequel‑sequel to classic John le Carre titles, as one of their biggest financial bets. Netflix, meanwhile, confirmed a third and final season for “Devil May Cry,” framing the three‑season arc as a cinematic “Divine Comedy” that will conclude the franchise’s ambitious “Force Edge Saga.”

These programming moves arrive alongside shifting audience metrics and labor dynamics. Jimmy Kimmel’s recent 2.185 million‑viewer night outpaced rivals, illustrating the continued relevance of late‑night broadcast even as streaming dominates primetime. At the same time, the Writers Guild of America’s public rebuke of CBS News layoffs and the disclosed $2.5 million salary for new “60 Minutes” executive producer Nick Bilton signal heightened scrutiny of talent compensation and newsroom stability. Complementary ventures such as Barack Obama’s collaboration with Malcolm Gladwell on a Reconstruction podcast and Rich Eisen’s ESPN video series further diversify content distribution, reinforcing the industry’s multi‑platform growth strategy.