Priyadarshan Says He ‘Never Taught Aditya Dhar Anything’; Lauds Dhurandhar Director, Sandeep Reddy Vanga for Defying Theories of Hit Films

Priyadarshan Says He ‘Never Taught Aditya Dhar Anything’; Lauds Dhurandhar Director, Sandeep Reddy Vanga for Defying Theories of Hit Films

The Indian Express – Entertainment
The Indian Express – EntertainmentMar 27, 2026

Why It Matters

The breakout performance of Dhurandhar 2 proves that bold, director‑driven projects can achieve blockbuster returns, reshaping risk assessments in Indian cinema.

Key Takeaways

  • Dhurandhar 2 hit $129 M worldwide in seven days.
  • Crossed $120 M mark faster than any Indian film.
  • Priyadarshan credits director conviction over formal training.
  • Vanga’s four‑hour “Animal” defies hit‑film formulas.
  • Industry heavyweights praise self‑taught filmmaking approach.

Pulse Analysis

The sequel Dhurandhar 2 has shattered Indian box‑office records, pulling in roughly $129 million (₹1,067 crore) worldwide within its first week. That pace eclipses the previous fastest‑growing Indian film, Pushpa 2, which needed a similar timeframe to reach the $120 million (₹1,000 crore) threshold. 8 million (₹40 crore), underscoring a sustained audience appetite for high‑octane spy action. Analysts attribute the surge to a combination of star power, aggressive marketing, and a franchise that has built strong brand equity. The film's digital buzz also amplified ticket sales across regional markets.

Veteran filmmaker Priyadarshan used the moment to champion the value of conviction over formal schooling, noting that both Aditya Dhar and Sandeep Reddy Vanga are essentially self‑taught. Dhar, once a dialogue writer on Priyadarshan’s early 2010s projects, rose to direct a four‑hour blockbuster without producer pressure, while Vanga’s daring four‑hour drama Animal similarly ignored conventional hit formulas. Their success challenges the long‑standing belief that tight runtimes and studio‑driven scripts guarantee profitability, suggesting that creative autonomy can translate into commercial gold. Their approach signals a new creative blueprint for Bollywood's next generation.

The ripple effect extends to financiers and distributors who now see a viable path for ambitious projects that defy traditional metrics. With streaming platforms hungry for premium Indian content, a proven box‑office juggernaut like Dhurandhar 2 can command lucrative overseas rights and ancillary revenue streams. Moreover, the endorsement from icons such as Rajinikanth adds cultural cachet, encouraging other emerging directors to pursue bold narratives. If the trend persists, the Indian film ecosystem may experience a shift toward longer, director‑driven spectacles, reshaping budgeting models and audience expectations alike. This evolution could attract more foreign investment into Indian cinema.

Priyadarshan says he ‘never taught Aditya Dhar anything’; lauds Dhurandhar director, Sandeep Reddy Vanga for defying theories of hit films

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