Hiding Places – Waiting / One Hand

Key Takeaways

• Album drops April 3 via Keeled Scales.
• Singles “Waiting” and “One Hand” preview new sound.
• Tracks blend grunge, alt‑country, and haunting lyricism.
• Video for “Waiting” self‑directed by Nicholas Byrne.
• Pre‑orders available on Bandcamp now.

Summary

Hiding Places, the Asheville‑born indie rock trio now based in Brooklyn, will release their new album *The Secret To Good Living* on 3 April via Keeled Scales. The record follows the spontaneous single “Holy Roller” and is previewed by two tracks, “Waiting” and “One Hand,” which blend grunge, alt‑country, and cinematic lyricism. Both songs are supported by self‑directed videos, and the album is available for pre‑order on Bandcamp. The release underscores the band’s evolving sound and the label’s commitment to genre‑defying artists.

Pulse Analysis

The Secret To Good Living marks the next chapter for Hiding Places, the Asheville‑born, Brooklyn‑based indie rock trio that signed with Keeled Scales last year. After the spontaneous single “Holy Roller,” the band is now poised to release a full‑length record on 3 April, leveraging the label’s reputation for curating genre‑defying acts. The timing aligns with a resurgence of vinyl interest and a growing appetite for authentic, narrative‑driven music among millennial listeners. By offering pre‑orders through Bandcamp, the group taps into a direct‑to‑fan model that maximizes revenue while preserving artistic control.

The preview tracks “Waiting” and “One Hand” reveal a darker, more cinematic palette than the band’s earlier work. “Waiting” sits at the intersection of grunge grit and alt‑country melancholy, its lyrics drawn from personal loss and industrial‑American backdrops. “One Hand” expands the mood with a slow‑burning arrangement that hints at impending turbulence without ever resolving it, mirroring the uncertainty of long‑distance relationships. This blend of raw instrumentation and introspective storytelling resonates with current indie trends that favor genre hybridity and emotional depth, positioning Hiding Places as a compelling voice in the underground circuit.

The promotional rollout leans heavily on visual storytelling, with Byrne directing an animated video for “Waiting” and Henry Cutting handling the “One Hand” clip. These videos extend the songs’ narrative weight and provide shareable content for platforms like YouTube and Instagram, crucial for breaking through the crowded streaming landscape. By coupling the visual assets with a Bandcamp‑first pre‑order, the band captures early sales while building hype among niche communities. If the album sustains its momentum, it could reinforce Keeled Scales’ position as a launchpad for artists who blend authenticity with strategic digital outreach.