Lankum's Song About the Wrens of the Curragh Is Top 5 in the Shazam Worldwide Charts

Key Takeaways

• Song reaches #4 on global Shazam chart
• #1 spot in Ireland and UK Shazam rankings
• Features collaboration with Fontaines D.C. vocalist
• Ties to Peaky Blinders film expands audience reach
• Revives story of 19th‑century Wrens of the Curragh

Summary

Lankum’s re‑imagined track “Hunting The Wren – Immortal Man version,” created for the new *Peaky Blinders: The Immortal Man* film, has surged to #4 on the worldwide Shazam Top 200 and holds the #1 spot in both Ireland and the UK. The song pairs Lankum’s traditional drone sound with Fontaines D.C. vocalist Grian Chatten, adding a modern edge to the folk‑rock blend. Its lyrics recount the 19th‑century Wrens of the Curragh, a marginalized community of women who survived through sex work and communal living. The soundtrack also features 36 tracks, including covers by Nick Cave and Massive Attack, amplifying the film’s gritty atmosphere.

Pulse Analysis

The unexpected climb of Lankum’s “Hunting The Wren – Immortal Man version” onto Shazam’s worldwide top five underscores a broader resurgence of Irish folk‑rock in the digital age. By aligning the track with the globally‑watched *Peaky Blinders* franchise, the band taps into a massive, cross‑genre audience that typically streams rock, hip‑hop, and cinematic scores. This synergy not only boosts real‑time chart performance but also translates into measurable streaming spikes, higher royalty payouts, and increased playlist placements on platforms like Spotify and Apple Music.

Beyond the numbers, the song revives the harrowing tale of the Wrens of the Curragh—women forced into underground shelters and survival sex work after the Great Famine. Their story, preserved in 19th‑century journalism, resonates today as listeners seek authentic, socially conscious narratives. By marrying haunting vocals with modern production, Lankum and Grian Chatten turn a forgotten chapter of Irish history into a compelling cultural moment, prompting renewed scholarly and media interest in marginalized Irish histories.

From a business perspective, the soundtrack’s eclectic lineup—spanning Nick Cave, Massive Attack covers, and emerging Irish acts—illustrates the lucrative potential of film‑driven music licensing. Producers gain a curated, mood‑setting catalog, while artists receive exposure to international markets they might not reach alone. The success of this track signals to record labels and sync agencies that strategic placement in high‑profile series can accelerate chart performance, diversify revenue streams, and reinforce brand relevance in an increasingly competitive streaming landscape.