Crash of Rhinos Announce First New LP in over 10 Years & Shows, Share “Figures of Light”

Why It Matters

The album marks a rare long‑gap reunion, signaling renewed demand for nostalgic yet forward‑looking emo. It also underscores the viability of self‑released projects in a streaming‑driven market.

Key Takeaways

• First album in over a decade, self-released May 22
• Recorded in hometown library and Cumbria barn
• Tour kicks off July across UK, Italy, Europe
• Lead single “Figures of Light” showcases evolved emo sound
• Album revives 90s emo influences for new audience

Pulse Analysis

The resurgence of Crash of Rhinos arrives at a moment when the emo genre is experiencing a second wave of mainstream curiosity. Their 2013 sophomore effort *Knots* was hailed for blending 90s Midwest emo with post‑hardcore grit, and the new *Logbook* promises to extend that legacy. By tapping into the nostalgia of early‑2010s fans while integrating contemporary production techniques, the band positions itself to capture both longtime devotees and a younger audience discovering the genre through streaming playlists.

*Logbook*’s DIY rollout reflects a broader industry shift toward artist‑controlled releases. Recorded in an empty library and a remote barn, the album’s lo‑fi ambience aligns with the authenticity prized by indie listeners. Mastering by Katie Tavini and mixing by Jim Cork ensure a polished yet raw sound, while the self‑release model sidesteps label overhead, allowing higher royalty shares. This approach mirrors successful strategies employed by peers in the emo and post‑hardcore scenes, who leverage Bandcamp and direct‑to‑fan channels to sustain revenue.

The accompanying European tour, anchored by Quiet Steps Fest in Leeds, underscores the band’s strategic re‑entry into live performance circuits. Appearances alongside acts like Braid and Hey Mercedes signal a curated festival lineup that appeals to the genre’s core demographic. By targeting key markets in the UK and Italy, Crash of Rhinos can reignite ticket sales and merch revenue, reinforcing the commercial potential of legacy acts returning with fresh material. The tour’s timing, just weeks after the album drop, maximizes promotional momentum and sets the stage for possible North American dates later in the year.