See VENOM INC.'s In-Studio Performance For Brazil's 92.5 KISS FM Radio Station

See VENOM INC.'s In-Studio Performance For Brazil's 92.5 KISS FM Radio Station

Blabbermouth
BlabbermouthMar 20, 2026

Why It Matters

The show underscores Venom Inc’s push into the South American market while the lineup shift and legal dispute affect brand cohesion and revenue streams for legacy metal entities.

Key Takeaways

  • Venom Inc performed five tracks on Brazil's Kiss FM.
  • Curran Murphy replaces Jeff Dunn as guitarist.
  • Three separate Venom entities now tour worldwide.
  • Ongoing copyright lawsuit clarifies ownership of iconic logo.
  • Brazil performance boosts Venom Inc's South American presence.

Pulse Analysis

Brazil’s thriving metal audience provides a fertile ground for legacy acts, and Venom Inc’s live‑in‑studio session on 92.5 KISS FM taps into that demand. By streaming a polished five‑song set, the band reaches both longtime fans and younger listeners who discover heavy music through digital platforms. The exposure not only drives streaming numbers but also reinforces the group’s relevance in a market traditionally dominated by local genres, positioning Venom Inc for future South American tours and merchandise opportunities.

The lineup change that placed Curran Murphy on guitar signals a strategic refresh for Venom Inc. Murphy, known for his work with Nevermore and Annihilator, brings a modern technical edge that complements Tony Dolan’s classic vocal style. His arrival follows Jeff Dunn’s health‑related exit, adding credibility to the band’s evolving sound while preserving the aggressive aesthetic fans expect. Simultaneously, the existence of three Venom‑named projects—Dunn/Abaddon’s anniversary tour, Cronos‑fronted Venom, and Venom Inc—creates both brand confusion and niche targeting, forcing each entity to differentiate through setlists, visual branding, and regional focus.

The ongoing copyright battle between Cronos and Abaddon over the Satanic logo illustrates how intellectual‑property disputes can impact legacy acts. A recent court ruling affirmed that the iconic goat‑head design belongs to the original creator, limiting unauthorized merchandise sales and protecting revenue streams. For Venom Inc, the decision clarifies licensing pathways, ensuring that future merch collaborations in markets like Brazil remain legally sound. More broadly, the case serves as a cautionary tale for veteran bands navigating complex ownership histories while seeking to monetize their heritage in the digital age.

See VENOM INC.'s In-Studio Performance For Brazil's 92.5 KISS FM Radio Station

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