The Nightmarish Sounds of Squid Game Composer Jung Jae-Il: ‘Having No Identity Very Much Defines My Identity’

The Nightmarish Sounds of Squid Game Composer Jung Jae-Il: ‘Having No Identity Very Much Defines My Identity’

The Guardian – Asia Pacific
The Guardian – Asia PacificMar 30, 2026

Why It Matters

Jung’s rise illustrates how distinctive, human‑centric sound design can translate into worldwide brand equity for streaming hits, while his anti‑AI stance signals a broader industry debate on authenticity in music creation.

Key Takeaways

  • Used amateur recorder for Squid Game’s unsettling theme
  • Live debut at Sydney Opera House with Parasite score
  • Rejects AI, champions human imperfection in music
  • Improvisational background fuels genre‑bending compositions

Pulse Analysis

Jung Jae‑il’s ascent from a self‑taught multi‑instrumentalist to a global composer underscores the power of unconventional sound design in today’s streaming era. The iconic, slightly off‑key recorder in Squid Game was a deliberate choice, turning a child’s instrument into an auditory symbol of desperation. By embracing imperfection, Jung created a sonic fingerprint that resonated with 265 million viewers, proving that raw, human‑made textures can outshine polished digital scores in capturing audience attention.

The composer’s recent live engagements amplify his brand beyond the screen. Performances at the Barbican, Carnegie Hall, and the upcoming Sydney Opera House showcase his Parasite score alongside new orchestral pieces like Inferno, highlighting a shift from studio anonymity to stage prominence. Collaborations with the London Symphony Orchestra for Mickey 17 and a forthcoming Decca Records album demonstrate his ability to blend electronic experimentation with classical orchestration, appealing to both cinephiles and concertgoers.

Amid rapid AI advancements, Jung positions live music as a safeguard for artistic authenticity. He argues that the nuanced flaws—squeaks, breathy breaths, improvisational detours—cannot be replicated by algorithms, making concerts a vital arena for genuine human expression. This stance not only reinforces his personal ethos but also sparks industry dialogue about the future of composition, where the balance between technology and the irreplaceable human touch will define the next wave of musical innovation.

The nightmarish sounds of Squid Game composer Jung Jae-il: ‘Having no identity very much defines my identity’

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