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Business of hip‑hop and entertainment strategy—artists, labels, and platforms.

Private Investors Love Music. Why Doesn't Wall Street?
News•Mar 10, 2026

Private Investors Love Music. Why Doesn't Wall Street?

Private investors are increasingly targeting music rights, creating demand that outstrips supply. Publicly traded music companies like Universal Music Group, Warner Music Group, and Reservoir Media trade at significant discounts to the estimated value of their catalogs. The gap stems from market structure, ownership concentration, and limited analyst coverage, prompting some firms to partner with private equity rather than rely on public equity. This dynamic raises questions about how the industry will reconcile asset valuations with stock prices.

By Trapital
Is The Sphere... A Good Business?
News•Feb 26, 2026

Is The Sphere... A Good Business?

Sphere Entertainment reported a profitable 2023, but earnings relied on debt restructuring rather than operational cash flow. The Las Vegas‑based immersive venue generated $1.2 billion in 2024 revenue, giving it a 2.1× enterprise‑value multiple of roughly $2.5 billion. Analysts struggle to find...

By Trapital
Follow The Money: EVEN, Duetti, and The New Deal Stack
News•Feb 20, 2026

Follow The Money: EVEN, Duetti, and The New Deal Stack

In this episode of Follow The Money, host discusses how two music‑tech companies—EVEN, a direct‑to‑consumer platform for artists, and Duetti, a music‑rights investment platform—have built scalable infrastructure by first serving the long‑tail of independent musicians before moving upmarket to major...

By Trapital