‘Senior Musicians Are Not Promoting the Next Generation,’ Says Violinist Kala Ramnath in the Book The Call of Music

‘Senior Musicians Are Not Promoting the Next Generation,’ Says Violinist Kala Ramnath in the Book The Call of Music

The Hindu – Books
The Hindu – BooksMar 12, 2026

Why It Matters

The book exposes a mentorship gap that threatens the continuity of Indian classical traditions, urging senior artists and institutions to nurture emerging talent. Its candid critique could spur reforms in how the genre cultivates the next generation of performers.

Key Takeaways

  • Senior musicians often neglect mentoring emerging talent
  • Kala Ramnath highlights gender and regional bias
  • Book showcases diverse Indian classical artists across generations
  • Western recognition crucial for Indian musicians' global stature
  • Emerging artists turn to composition, collaboration for exposure

Pulse Analysis

Indian classical music has long relied on the guru‑shishya tradition, where senior artists pass down repertoire and nuance through close, often lifelong mentorship. In recent decades, however, the pipeline has shown signs of strain: fewer established performers are actively championing younger talent, and institutional support remains uneven. *The Call of Music* arrives at this crossroads, offering a snapshot of eight practitioners whose stories reveal both the richness of the art form and the systemic gaps that risk eroding its future.

Violinist Kala Ramnath’s contribution is particularly striking. She frames senior musicians’ reluctance to promote newcomers as a symptom of broader gender and regional biases that still pervade the Indian classical scene. Ramnath also argues that global recognition—especially from Western audiences—has become a gatekeeper for Indian artists seeking broader platforms. This perspective resonates with ongoing debates about cultural validation, where artists balance authentic tradition with the desire for international acclaim.

The book’s other profiles illustrate alternative pathways emerging musicians are forging. From Rumi Harish’s pivot to theatre composition after limited concert opportunities, to Suhail Sabri Khan’s cross‑cultural collaborations in the United States, these narratives highlight adaptability as a survival strategy. For industry stakeholders, the takeaway is clear: fostering mentorship, expanding performance venues, and embracing innovative collaborations are essential to sustain the genre’s vitality. By spotlighting these challenges and solutions, *The Call of Music* serves as both a cultural record and a call to action for the next generation of Indian classical custodians.

‘Senior musicians are not promoting the next generation,’ says violinist Kala Ramnath in the book The Call of Music

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