Cardi B Defeats ‘Enough (Miami)’ Song Copying Lawsuit: ‘No Factual Support’

Why It Matters

The ruling highlights the critical role of proper copyright registration and jurisdictional limits in music infringement cases, protecting high‑profile artists from unfounded claims. It also signals to plaintiffs that touring alone does not create sufficient ties for state‑law suits.

Key Takeaways

• Judge dismissed lawsuit due to lack of Texas jurisdiction
• Plaintiffs failed to register "Greasy Frybread" copyright
• "Enough (Miami)" peaked at No.9, 14 weeks on Billboard
• Case underscores importance of proper copyright registration
• Dismissal protects Cardi B and her label from liability

Pulse Analysis

The dispute began when two Texas producers claimed Cardi B’s hit "Enough (Miami)" lifted the melody and bassline from their unregistered track "Greasy Frybread." In copyright law, registration with the U.S. Copyright Office is a prerequisite for many legal remedies, and the plaintiffs’ failure to secure that protection left their claims legally fragile. By highlighting the absence of a registered work, the court reinforced a long‑standing principle: without formal registration, a work cannot serve as the basis for a successful infringement action, regardless of its perceived originality.

Beyond registration, the case hinged on personal jurisdiction. The plaintiffs argued that Cardi B’s concerts in Texas established sufficient ties, but the judge noted her performances were part of a broader national tour, offering no distinct connection to the state. This decision clarifies that merely appearing on a stage in a jurisdiction does not automatically subject an artist to local lawsuits, especially when the alleged infringement stems from a work lacking legal standing. The ruling therefore sets a precedent for future cases where plaintiffs attempt to leverage state courts based on touring schedules.

For Cardi B, the victory safeguards both her brand and the financial interests of Atlantic Records and Warner Music Group. With "Enough (Miami)" still charting and featured on the deluxe edition of her No.1 album *Am I the Drama?*, the dismissal removes a potential financial and reputational distraction. Industry observers see the outcome as a reminder for songwriters and producers to prioritize copyright registration and for litigants to assess jurisdictional viability before filing, potentially reducing frivolous lawsuits that can stall creative output and inflate legal costs.