
Busan International Film Festival (BIFF) has named veteran Karen Park as Deputy Director, a role she assumes after 17 years of service across PR, programming, and guest services. Park previously held senior positions such as Head of Program and Program Director, and brings corporate strategy experience from CJ Entertainment. The appointment aims to streamline internal coordination and strengthen external partnerships as BIFF prepares for its 31st edition in October. Her academic background in aesthetics and arts management complements her operational expertise.

Chinese director Chouwa Liang’s documentary “Replica,” debuting at the Thessaloniki Documentary Film Festival, investigates the rise of AI romantic partners and digital intimacy. Drawing from her own pandemic‑era AI companion experience, Liang interviewed over a hundred users and focused on...

Episode 482 of the Next Best Picture Podcast, released ahead of the 98th Academy Awards on March 15, presents the hosts’ final Oscar winner predictions across all categories. The episode also reviews the new trailers for “I Swear” and “Scary...
The Motion Picture Sound Editors (MPSE) announced winners across 24 categories, highlighting achievements in dialogue, ADR, effects, Foley, and music for film, TV, animation, documentaries, and games. Warner Bros.’ "Sinners" captured top honors in both feature dialogue/ADR and feature music...

The Exhibition on Screen documentary spotlights the first joint Turner‑Constable showcase at Tate Britain, running November 2025 to April 2026. It contrasts Turner’s dramatic light experiments with Constable’s grounded English landscapes, while highlighting their shared influences such as Claude Lorrain....

‘In The Land Of Lost Angels’ is Bishrel Mashbat’s noir‑styled debut, following two Mongolian immigrants who kidnap a wealthy man’s son in night‑time Los Angeles. The film intertwines a tense kidnapping plot with probing questions of cultural identity and assimilation....

Trace Pope’s short film *Silence = Death* dramatizes ACT UP’s 1990 “Storm the NIH” protest, placing viewers amid the AIDS crisis. It follows filmmaker Jamie as he documents the protest while caring for a dying partner, interweaving three narrative threads—including Dr....
The 2026 True/False Film Fest in Columbia, Missouri debuted ten world‑premiere documentaries, spotlighting three standouts: *Phenomena*, *Who Moves America* and *Landscapes of Memory*. *Phenomena* follows a father‑son duo turning everyday experiments into visual poetry, earning a C‑ for its repetitive...

Red Riding, a Scottish reinterpretation of Little Red Riding Hood, marks actor Craig Conway’s directorial debut. The film follows teen Redele (Victoria Tait) as she navigates grief, family secrets, and class tension on a remote estate. Critics praise the moody atmosphere and Tait’s...
Effi O Blaenau, a low‑budget Welsh‑language film adapted from Gary Owen’s play Iphigenia In Splott, premiered at the Glasgow Film Festival. Director Marc Evans and lead Leisa Gwenllian turned the monologue‑heavy stage work into a full‑length drama, shooting on location in...

Indie filmmakers often blame poor scripts for funding failures, but the real culprit is a broken financial structure. Investors evaluate risk, recoupment probability, liquidity timeline, and market position within minutes, discarding projects that lack realistic budgets, clear audience targeting, solid...

The Fall Of Sir Douglas Weatherford, screened at the 2026 Glasgow Film Festival, follows Kenneth (Peter Mullan), a grieving museum caretaker forced to replace his historic tours with a fantasy production called White Stag Of Emberfell. Mullan’s gravitas anchors a...

Jaripeo, co‑directed by Efraín Mojica and Rebecca Zweig, documents gay men embedded in Mexico’s traditional rodeo culture. The film follows participants in Michoacán’s jaripeo scene, exposing how they negotiate machismo, family expectations, and religious faith while expressing diverse queer identities. It highlights...

Dean Semler, an Australian cinematographer known for his early work on thrillers and Mad Max 2, pivoted to westerns in the late 1980s and quickly became the genre’s visual architect. His breakthrough came with the commercially successful Young Guns (1988), followed...

Harvey Weinstein aggressively positioned the Italian romance Il Postino for Oscar glory in 1996, expanding its theatrical run and launching a high‑profile awards campaign. The film earned over $21 million domestically, secured five Academy Award nominations—including Best Picture—and won Best Original Score....

Lay Lefty Down, a short film by writer‑director Traven Rice, stages a surprise funeral for a woman’s left breast after a mastectomy, blending dark comedy with genuine emotion. Alexandra Seal anchors the story as Abby, navigating grief amid absurd pageantry,...
Kleber Mendonça Filho’s new film “The Secret Agent” revisits Brazil’s 1977 military dictatorship through a pulpy thriller that abruptly shifts to a present‑day university archivist’s quest to recover erased histories. The narrative intertwines the fate of Armando, a persecuted researcher,...
Under the Radar Magazine’s 4K UHD review spotlights the 1972 thriller *The Mechanic*, starring Charles Bronson as a meticulous, paid assassin. The Kino Lorber 4K Ultra HD + Blu‑ray edition restores the film’s original visual texture and adds extensive audio commentaries plus a screenwriter interview....

Writer‑director Josh Heaps unveils the first trailer and poster for his Giallo‑inspired thriller City Wide Fever, starring Diletta Guglielmi and a mix of emerging and veteran actors. The film follows a film student who uncovers a violent conspiracy while investigating...

Australian filmmaker Richard E. Williams unveils the first teaser for his POV horror "Dead Eyes," shot with a custom head‑mounted Sony camera. The story follows Sean and his fiancée Grace as they hunt for Sean’s missing father in a remote forest, uncovering...

MetFilm Distribution has released the trailer for ‘Lady,’ a surreal British comedy debuting in UK and Irish cinemas on July 3, 2024. Written and directed by BAFTA‑nominated Samuel Abrahams, the film marks his first narrative feature after acclaimed shorts like ‘Connect.’...

Focus Features released a new trailer for "Lorne," an Oscar‑winning filmmaker Morgan Neville’s documentary about Saturday Night Live creator Lorne Michaels. The film promises unprecedented behind‑the‑scenes access, rare archival footage and candid interviews with comedy heavyweights such as Tina Fey,...

The Wizard of the Kremlin, directed by Olivier Assayas, adapts Giuliano da Empoli’s novel into a political thriller that follows a Surkov‑like figure recounting his rise alongside Vladimir Putin. Paul Dano delivers a deliberately flat performance, while the film rushes...
Effi O Blaenau, a Welsh‑language film directed by Marc Evans, adapts Gary Owen’s acclaimed play Iphigenia In Splott and follows the turbulent life of Effi, a benefit‑dependent young woman in Blaenau Ffestiniog. Leisa Gwenllian’s raw, magnetic performance anchors a story that...
The 23rd True/False Film Festival opens in Columbia, Missouri from March 5‑8, 2026 under the "You Are Here" theme selected by artistic director Yance Ford. The program blends non‑fiction world premieres—Ross McElwee’s "Remake," Josef Gatti’s "Phenomena," Bryn Silverman’s "Pinball," Carolina González Valencia’s "How to Clean a House...
Australian filmmaker Josef Gatti’s debut feature Phenomena transforms a decade‑long series of scientific short films into a 90‑minute documentary that captures real molecular reactions with high‑speed cameras. The film pairs these trippy visuals with original scores by Nils Frahm and...

Gianfranco Rosi’s new black‑and‑white documentary *Pompei: Below the Clouds* offers a poetic, narration‑free portrait of life in the shadow of Mount Vesuvius. The film juxtaposes serene daily routines with the ever‑present threat of volcanic eruption, using stark imagery and ambient...
Brazil’s period drama *The Secret Agent* has emerged as a surprise Oscar contender, leading the domestic box office among Best Picture nominees. The film’s success coincides with Brazil’s October presidential election, where incumbent Lula seeks a historic fourth term against...

The Dummy Detective is a low‑budget indie film that blends classic film‑noir tropes with a ventriloquist‑detective premise, positioning itself as both homage and satire. Written and headlined by professional ventriloquist Jonathan Geffner, the movie leans on Sean Young’s quirky innkeeper...

John Patton Ford’s second feature *How to Make a Killing* attempts a satirical, class‑based thriller but delivers a bland, undercooked narrative. The film follows Beckett Redfellow, a low‑level salesman who murders his billionaire relatives to claim a $10 billion inheritance, yet it...
The Oscar race has become unusually fluid, with the usual frontrunners reduced to maybes as final voting approaches. Michael B. Jordan’s surprise best‑actor win for *Sinners* at the SAG Awards rattled the field, while Sean Penn’s supporting win and Amy Madigan’s horror‑genre...

L.A. Confidential, Curtis Hanson’s 1997 neo‑noir thriller, earned nine Oscar nominations but only two wins, losing Best Picture to Titanic. While critics’ groups crowned it Best Picture across major cities, the film has outlasted many contemporaries, becoming a benchmark for...

The 1995 Super Mario Bros. film arrived with a $48 million budget, promising a live‑action translation of Nintendo’s iconic platformer, but its gritty, cyber‑punk reinterpretation clashed with the franchise’s family‑friendly image. Critical backlash and a domestic box‑office of only $20 million signaled a major...

Stephen Wallis’s new existential comedy‑drama *The Martini Shot* debuts on UK digital platforms via Miracle Media. The film stars a veteran ensemble—including John Cleese, Derek Jacobi and Morgana Robinson—centered on a terminally ill director who stages a final, surreal shoot. While the cast...

The Tasters, directed by Silvio Soldini, dramatizes the true‑story of seven German women forced to sample Adolf Hitler’s meals to guard against poison. Elisa Schlott leads as Rosa Sauer, a Berlin refugee who balances loyalty, love for an SS officer,...

Alex Cox’s 2026 film Dead Souls, debuting at the Rotterdam Film Festival, is the first Western‑made adaptation of Nikolai Gogol’s surreal poem. The director blends classic frontier imagery with hallucinatory sequences, supported by striking cinematography from Ignacio Aguilar and Chance...
Filmmaker Stefan van de Graaff turned a $75,000 micro‑budget feature, *Simmer*, into an HBO title after the short went viral on Facebook, amassing one million views. He leveraged that success to finance a $1 million international production using tax incentives, grants,...

Comedians Nick Corirossi and Armen Weitzman have written, co‑directed and starred in “The Napa Boys,” a self‑referential comedy that imagines a fourth installment of a fictional wine‑centric franchise. The film debuted in TIFF’s Midnight Madness program, screened in IMAX, and...

*Scream 7* returns with original creator Kevin Williamson at the helm, yet critics say it lacks the sharp wit of earlier installments. The film leans on new cast members and forced references to past characters, but delivers weak kills and overused...

Filmmaker Akinola Davies Jr. discusses his debut feature My Father’s Shadow on the Film Comment Podcast. The film, set in Lagos in 1993, follows two boys spending a day with their often‑absent father amid looming political unrest. Davies, who recently...

Pakistani director Sarmad Sultan Khoosat’s supernatural horror‑musical Lali debuted in Berlin’s Panorama, marking Pakistan’s first all‑local film at the Berlinale. Inspired by a family short story, the film fuses horror, black comedy, folk songs and a vivid red‑purple palette to explore...

The article frames artificial intelligence as the latest disruptive wave in filmmaking, comparable to the shifts from celluloid to video and then to digital. AI is portrayed not merely as a faster tool but as a structural change affecting creation,...

Comrade X, a 1940 King Vidor comedy starring Clark Gable and Hedy Lamarr, was produced during the brief Nazi‑Soviet non‑aggression pact. The film satirizes the uneasy alliance, featuring a Soviet heroine who ends the story driving a tank, and includes...

The new documentary "Turner and Constable" (2026) commemorates the 250th birthdays of J.M.W. Turner and John Constable, pairing their rival yet complementary landscapes with the current Tate Gallery exhibition. Director David Bickerstaff eschews a conventional narrative, using curators, sketchbooks and...

British psychological thriller “Past Life”, directed by Simeon Halligan, opens a limited theatrical run on 20 March 2026 before a digital release on 6 April via Miracle Media. The film features an ensemble cast including Aneurin Barnard, Jeremy Piven, Pixie...