In episode 930 of Bad at Sports, artist Antonio Darden discusses his recent installation *Last One Left*, featuring a grey alien on an autopsy table as a surrogate for personal grief after losing his mother, brother, and father. He explains how humor, conspiracy culture, and pop references help translate trauma into a form that audiences can engage with without being overwhelmed. Darden also details a recent black‑out theater performance that fuses wrestling mythology, Atlanta rap, gospel, and cinematic tropes to mirror the density of memory. The conversation closes with his reflections on fatherhood and preserving a family archive of stories and objects.

British artist David Hockney opens his first solo show at London’s Serpentine North, running from 12 March to 23 August 2026. The exhibition pairs a new body of ten paintings—five still lifes and five portraits framed by a gingham tablecloth—with the artist’s 90‑metre...

London’s Sadie Coles HQ is hosting the eleventh edition of Seth Price’s long‑running multimedia project, Redistribution 2026‑2007. First presented as a slide lecture at the Guggenheim in 2007, the work now appears as a standalone single‑channel video installation, constantly revised with new footage,...

Taiyo to Ame no Melody, a new contemporary art exhibition, opens at PALAS in Sydney from February 7 to March 28, 2026. The show features paintings and installations by Maureen Gallace, Trevor Shimizu, and Kazuyuki Takezaki, exploring themes of light, rain, and memory. Curated by...

Belgian painter Luc Tuymans presents a new solo exhibition, “The Fruit Basket,” at David Zwirner’s Los Angeles space from February 24 to April 4, 2026. The show features a series of large‑scale paintings that revisit still‑life motifs while probing post‑war European memory. Accompanying...
Tomorrow, March 11, 2026, the Brant Foundation in New York’s East Village will open “Keith Haring,” an exhibition focusing on the artist’s formative 1980‑84 period. Curated by Vienna‑based husband‑and‑wife team Dieter Buchhart and Anna Karina Hofbauer, the show presents early...

French filmmaker Georges Méliès’s 1897 short “Gugusse et l’Automate,” long considered lost, has been recovered and digitized for public viewing. The 45‑second slapstick piece, featuring a magician battling a robot, is now available online in 4K after Library of Congress...
Sanné Mestrom’s interactive installation "The Whole is Greater Than the Sum of Her Parts" ran at the National Gallery of Australia from May to September 2025, inviting visitors to touch, climb and build with art. The tactile elements consistently held...

Anonymous British artist James McQueen has opened his latest solo exhibition, “A Beautiful Waste of Time,” at London’s Halcyon Gallery. The show features a new series of paintings that rework vintage paperback covers, employing dense, sanded layers of paint to evoke...

Contemporary Fine Arts Berlin presents OOO LA LA, a joint exhibition by British artists Maggi Hambling and Sarah Lucas, running March 13‑April 25, 2026. The show pairs Hambling’s intimate oil portraits with Lucas’s sculptural installations, highlighting their parallel development rather...

Isamu Noguchi, famed for his stone sculptures and Akari lamps, envisioned a series of experimental playgrounds in the 1930s, most famously the “Play Mountain” that would transform a New York City block into an open‑ended, seasonal play environment. The plan...

Digital artist Beeple's "Regular Animals"—a pack of ten AI‑powered robotic dogs wearing the faces of tech billionaires, dead artists and the creator himself—will be on view at Berlin’s Neue Nationalgalerie from April 29 to May 10. The robots, which sold for $100,000...

David Zwirner is mounting a group exhibition in London that assembles works by Dan Flavin, Donald Judd, John McCracken, Robert Ryman and Fred Sandback, five pivotal figures of 1960s‑70s Minimalism. The show juxtaposes colour‑rich pieces—such as Flavin’s early three‑tube light sculpture and Judd’s...

Gavin Turk’s sixth exhibition at Ben Brown Fine Arts, titled The Escapologist, presents a series of oil paintings featuring slightly ajar doors that create a disorienting sense of suspension. The works dialogue with Gerhard Richter’s 1967 Tür series and reference...

Robert Mnuchin’s celebrated modern art collection, valued at over $130 million, will be auctioned by Sotheby’s in May, with a public preview in March. The sale is anchored by a 1957 Rothko estimated at $70‑100 million, the centerpiece of a lineup that...