
The fragmented look and flickering electrified feel of everyday life in the work of rj16848519 ▫️▫️▫️ From @fuckmyeyes
Silk Persian rugs are high-end, hand-knotted masterpieces from Iran, prized for their luminous sheen and incredible detail. Because silk fibers are so fine, weavers can achieve a high knot density (often over 200–600+ knots per square inch). https://t.co/nZkhWcsN8L
Sometimes artists need to be honest with themselves about their art, and the challenges they may be facing in finding galleries to show it. To take a critical look at what about their work or the ways they are presenting...

The Last Supper. DaVinci makes us think of a long table but, of course, circular makes more common and theological sense. https://t.co/Sw25co2KVe

Last month I travelled from the Highlands of Scotland to Cornwall in pursuit of spring and finished a watercolour and post every day - here's Day Seven at the find site of Richard III in Leicester. https://t.co/Cnzetc0FXk https://t.co/gIyUfwMbdm

See “The Every Woman Biennial.” 29 East 22nd Street. There’s a shit-ton amount of work view. Happy International Women’s Day.
Tracey Emin on nit having her Tate retrospective travel to the Guggenheim: “The museum had suggested downsizing it and I was concerned the abortion works would be first on the cut list.”
The new PIXEL POD works by @kimasendorf are truly spectacular. The pieces are interactive and following on from PXL DEX, every pixel is a token, allowing you to add or remove pixels in the work itself to change its density...
Beauty and destruction. Here are five highlights from the upcoming IWM exhibition that I'm looking forward to via @Londonist https://t.co/rHE7L136yO
I want to start a museum list and rate them on a scale from 1 to 10. Just because I work in museums does not mean I have been to them all. There are over 35,000 museums in the United...
Scoop: $450 Million Newhouse Trove Heads to Christie’s, Led by $100 Million Pollock, Brancusi https://t.co/mjeFEYkh2V
L.A. gallerist Anat Ebgi: “ain my New York gallery we have visitors all day long. LA is different. There’s not a constant stream of people coming in. In LA, you really have to work to capture an audience. So even...

Anne Howeson has witnessed the many changes to the King’s Cross area, and it has become a central part of her art. I spoke to her about the changes and how they’ve inspired her practice >> https://t.co/3ivXygQ9po @Londonist #LondonArtCritic #LondonArt...

“The will to create, and the will to allow. In that indefinite relationship lies infinite potential.” Satoshi Kondo of isseymiyakeofficial. A beautiful show and collection that gave a moment of calm and meditation, to temper the hot anger, helplessness and...

In this episode of our #podcast, @annagammansart & I speak with Jack Davy, exhibitions curator & gallery manager at Morley College London about the college's gallery spaces and ongoing arts programme >> https://t.co/CzzvpFApG9 #LondonArtCritic https://t.co/HnLH9BqQAF