Warner Bros. Discovery pushes two Oscar frontrunners amid Paramount merger
Warner Bros. Discovery is heavily marketing Paul Thomas Anderson’s ‘One Battle After Another’ and Ryan Coogler’s ‘Sinners’, both Oscar contenders. ‘One Battle After Another’ swept the BAFTAs and earned DGA and PGA honors, while ‘Sinners’ set a record with 16 nominations and secured the Actor Awards. The campaign unfolds as Warner navigates Paramount’s $111 billion acquisition.
Letterboxd’s Video Store has added five fresh titles ahead of the Oscars, ranging from docufiction to animated features. The lineup includes Kaouther Ben Hania’s “The Voice of Hind Rajab,” the Oscar‑nominated French animation “Little Amélie or the Character of Rain,” Ugo Bienvenu’s debut “Arco,” Joachim Trier’s nine‑nominee “Sentimental Value,” and the BAFTA‑winning documentary “Mr. Nobody Against Putin.” Prices start at US$5.99 and release dates vary by region, with availability beginning March 6 in North America. The additions expand Letterboxd’s on‑demand catalog during the peak awards‑season window.

Electric Entertainment has released the trailer for the indie sci‑fi thriller The Bunker, starring Tobin Bell and featuring a posthumous performance by Tony Todd. Inspired by the 2020 COVID‑19 lockdowns, the film follows Dr. Michelle Riley, a micropathogen specialist sealed...

Madman Films has released a new trailer for the documentary *The Eichmann Trial*, marking its Australian launch. The film, directed by Elliott Levitt, premiered at the 2023 Miami Jewish Film Festival and entered U.S. VOD in 2024. It reconstructs the...

SAG‑AFTRA president Sean Astin entered his term amid a storm of high‑profile disputes, from an FCC clash over Jimmy Kimmel’s monologue to the rise of synthetic performers and a retreat by OpenAI on a controversial opt‑out request. As the union...
Kleber Mendonça Filho’s new film “The Secret Agent” revisits Brazil’s 1977 military dictatorship through a pulpy thriller that abruptly shifts to a present‑day university archivist’s quest to recover erased histories. The narrative intertwines the fate of Armando, a persecuted researcher,...
Under the Radar Magazine’s 4K UHD review spotlights the 1972 thriller *The Mechanic*, starring Charles Bronson as a meticulous, paid assassin. The Kino Lorber 4K Ultra HD + Blu‑ray edition restores the film’s original visual texture and adds extensive audio commentaries plus a screenwriter interview....

Writer‑director Josh Heaps unveils the first trailer and poster for his Giallo‑inspired thriller City Wide Fever, starring Diletta Guglielmi and a mix of emerging and veteran actors. The film follows a film student who uncovers a violent conspiracy while investigating...

Australian filmmaker Richard E. Williams unveils the first teaser for his POV horror "Dead Eyes," shot with a custom head‑mounted Sony camera. The story follows Sean and his fiancée Grace as they hunt for Sean’s missing father in a remote forest, uncovering...

MetFilm Distribution has released the trailer for ‘Lady,’ a surreal British comedy debuting in UK and Irish cinemas on July 3, 2024. Written and directed by BAFTA‑nominated Samuel Abrahams, the film marks his first narrative feature after acclaimed shorts like ‘Connect.’...

Focus Features released a new trailer for "Lorne," an Oscar‑winning filmmaker Morgan Neville’s documentary about Saturday Night Live creator Lorne Michaels. The film promises unprecedented behind‑the‑scenes access, rare archival footage and candid interviews with comedy heavyweights such as Tina Fey,...
"Immutable," a new PBS documentary directed by Gabriel London and Charlie Sadoff, follows the Washington Urban Debate League as it brings policy debate to low‑income schools across the district. The film shows how 70% of the league’s partner schools are...
Effi O Blaenau, a Welsh‑language film directed by Marc Evans, adapts Gary Owen’s acclaimed play Iphigenia In Splott and follows the turbulent life of Effi, a benefit‑dependent young woman in Blaenau Ffestiniog. Leisa Gwenllian’s raw, magnetic performance anchors a story that...

The Wizard of the Kremlin, directed by Olivier Assayas, adapts Giuliano da Empoli’s novel into a political thriller that follows a Surkov‑like figure recounting his rise alongside Vladimir Putin. Paul Dano delivers a deliberately flat performance, while the film rushes...
The 23rd True/False Film Festival opens in Columbia, Missouri from March 5‑8, 2026 under the "You Are Here" theme selected by artistic director Yance Ford. The program blends non‑fiction world premieres—Ross McElwee’s "Remake," Josef Gatti’s "Phenomena," Bryn Silverman’s "Pinball," Carolina González Valencia’s "How to Clean a House...
Australian filmmaker Josef Gatti’s debut feature Phenomena transforms a decade‑long series of scientific short films into a 90‑minute documentary that captures real molecular reactions with high‑speed cameras. The film pairs these trippy visuals with original scores by Nils Frahm and...

Gianfranco Rosi’s new black‑and‑white documentary *Pompei: Below the Clouds* offers a poetic, narration‑free portrait of life in the shadow of Mount Vesuvius. The film juxtaposes serene daily routines with the ever‑present threat of volcanic eruption, using stark imagery and ambient...

#ProjectHailMary is a beacon of happy, feel-good hope when we all need it the most. Might be the most visually spectacular film this year. A towering achievement & a must see in IMAX. Greig Fraser’s cinematography & Daniel Pemberton’s score...

"A Prayer for the Dying" is a 2026 apocalyptic western set in 1870 Wisconsin, adapted from Stewart O’Nan’s 1999 novel by writer‑director Dara Van Dusen. The film follows a physician (John C. Reilly) and a pastor‑veteran (Johnny Flynn) as diphtheria...

Evan Mascagni’s documentary, debuting at SXSW, chronicles the Cornbread Mafia—a group of Kentucky farmers who turned to marijuana cultivation in the late 1970s. The film relies on extensive interviews with co‑founder Joe Keith Bickett to separate myth from reality, revealing a profit‑driven...
Sundance’s March slate blends horror, documentary, and speculative fiction, featuring titles like the sound‑driven thriller *undertone*, the darkly comic end‑of‑life documentary *André is an Idiot*, and the post‑apocalyptic podcast drama *Didn’t Die*. The lineup also includes the macabre romance *Dead...

Damon Albarn confirmed he is scoring Luca Guadagnino’s upcoming film Artificial, a dramatization of OpenAI’s 2023 leadership crisis. In a Needle Drop interview Albarn argued that AI cannot replicate the soulful intuition behind artistic creation. The movie stars Andrew Garfield...
Brazil’s period drama *The Secret Agent* has emerged as a surprise Oscar contender, leading the domestic box office among Best Picture nominees. The film’s success coincides with Brazil’s October presidential election, where incumbent Lula seeks a historic fourth term against...

SXSW 2026 will run film, TV, music and comedy programming concurrently for the first time, thanks to expanded hotel capacity in Austin. Vice‑President Claudette Godfrey explains the tighter ten‑day schedule forced a more deliberate curation process, emphasizing discovery and diverse...

In this episode of the Team Deacons Podcast, writer‑director Hlynur Pálmason discusses his unconventional path from childhood fascination with images and sound to studying photography, working odd jobs, and ultimately graduating from the Danish film school. He explains how collaborative...

Chloé Zhao’s film “Hamnet,” starring Jessie Buckley and Paul Mescal, has been nominated for eight Academy Awards, including Best Picture. In a newly released “Anatomy of a Scene” video, Zhao narrates a pivotal moment where Agnes (Buckley) watches her husband...
Hollywood’s newest Oscar nominees—Jessie Buckley, Teyana Taylor and Emma Stone—all began their careers on reality‑TV competitions. The article traces Buckley’s 2008 debut on the talent show I’ll Do Anything and notes similar origins for Taylor and Stone, echoing earlier Oscar...

The BFI National Lottery Innovation Challenge Fund has awarded £350,000 to Goldsmiths, University of London to launch the ACES programme – AI, Carbon, Equity, Skills. ACES will unite academic partners, industry leaders and NGOs to explore AI’s workforce impact, carbon...

The Dummy Detective is a low‑budget indie film that blends classic film‑noir tropes with a ventriloquist‑detective premise, positioning itself as both homage and satire. Written and headlined by professional ventriloquist Jonathan Geffner, the movie leans on Sean Young’s quirky innkeeper...
Not every Pixar flick has risen to the level of ‘Finding Nemo’ or ‘Up,’ but that doesn’t mean the studio hasn’t semi-regularly produced new toons on par with its 2000s-era classics. @scott_alan_mendelson’s early review of Pixar’s ‘Hoppers’)

John Patton Ford’s second feature *How to Make a Killing* attempts a satirical, class‑based thriller but delivers a bland, undercooked narrative. The film follows Beckett Redfellow, a low‑level salesman who murders his billionaire relatives to claim a $10 billion inheritance, yet it...
The Oscar race has become unusually fluid, with the usual frontrunners reduced to maybes as final voting approaches. Michael B. Jordan’s surprise best‑actor win for *Sinners* at the SAG Awards rattled the field, while Sean Penn’s supporting win and Amy Madigan’s horror‑genre...

Warner Bros. and HBO have moved a Game of Thrones movie into production, with former House of Cards showrunner Beau Willimon attached to pen the screenplay. The film aims to extend the franchise beyond television, potentially focusing on the legendary...

L.A. Confidential, Curtis Hanson’s 1997 neo‑noir thriller, earned nine Oscar nominations but only two wins, losing Best Picture to Titanic. While critics’ groups crowned it Best Picture across major cities, the film has outlasted many contemporaries, becoming a benchmark for...

The 1995 Super Mario Bros. film arrived with a $48 million budget, promising a live‑action translation of Nintendo’s iconic platformer, but its gritty, cyber‑punk reinterpretation clashed with the franchise’s family‑friendly image. Critical backlash and a domestic box‑office of only $20 million signaled a major...

Stephen Wallis’s new existential comedy‑drama *The Martini Shot* debuts on UK digital platforms via Miracle Media. The film stars a veteran ensemble—including John Cleese, Derek Jacobi and Morgana Robinson—centered on a terminally ill director who stages a final, surreal shoot. While the cast...

Sound of Falling is a fragmented German arthouse film that follows four women across a century of patriarchal oppression. Director Mascha Schilinski and editor Evelyn Rack employ handheld, pinhole cinematography and abrupt cuts to dissolve linear narrative. Minimal dialogue is...
I just watched The Trap on Netflix. What a garbage movie. 1. Why is the FBI Profiler in charge of the entire operation? 2. Why set up a trap/fake concert for a serial killer at a concert for kids? 3. Why have...

The Tasters, directed by Silvio Soldini, dramatizes the true‑story of seven German women forced to sample Adolf Hitler’s meals to guard against poison. Elisa Schlott leads as Rosa Sauer, a Berlin refugee who balances loyalty, love for an SS officer,...

Hello from London and the @peakyblinders The Immortal Man junket. Just interviewed #cillianmurphy, #barrykeoghan, @rebecca_ferguson, tim_roth__ , #stevenknight and Tom Harper. Mixed in fun things with questions about the movie. Under embargo so can’t talk about the film. I can...

Alex Cox’s 2026 film Dead Souls, debuting at the Rotterdam Film Festival, is the first Western‑made adaptation of Nikolai Gogol’s surreal poem. The director blends classic frontier imagery with hallucinatory sequences, supported by striking cinematography from Ignacio Aguilar and Chance...
Filmmaker Stefan van de Graaff turned a $75,000 micro‑budget feature, *Simmer*, into an HBO title after the short went viral on Facebook, amassing one million views. He leveraged that success to finance a $1 million international production using tax incentives, grants,...
In 2025 the Louis Lumière theatre at Cannes was upgraded to Europe’s largest permanent Dolby Atmos system, unlocking height‑channel and object‑based audio. The first film screened in the new venue was Oliver Laxe’s desert odyssey Sirāt, which has earned a...

Comedians Nick Corirossi and Armen Weitzman have written, co‑directed and starred in “The Napa Boys,” a self‑referential comedy that imagines a fourth installment of a fictional wine‑centric franchise. The film debuted in TIFF’s Midnight Madness program, screened in IMAX, and...

180 Studios has launched The Underground Cinema, a dedicated film venue, with a month‑long theatrical residency of Kahlil Joseph’s feature‑length work BLKNWS: Terms & Conditions. The film, adapted from Joseph’s acclaimed video‑art installation, blends fictionalized versions of W. E. B. Du Bois and Marcus...

This week, I spoke to the cast and crew of the incredible new film Project Hail Mary. We’ll be slowly rolling out quotes, stories and clips as we head toward the March 20 release. But I had to drop this one...
John Patton Ford’s new film How to Make a Killing, released by A24, reworks his 2014 Black List script “Rothchild” into a modern American take on Kind Hearts and Coronets. The story follows anti‑hero Becket Redfellow, who murders seven heirs to...

*Scream 7* returns with original creator Kevin Williamson at the helm, yet critics say it lacks the sharp wit of earlier installments. The film leans on new cast members and forced references to past characters, but delivers weak kills and overused...

Filmmaker Akinola Davies Jr. discusses his debut feature My Father’s Shadow on the Film Comment Podcast. The film, set in Lagos in 1993, follows two boys spending a day with their often‑absent father amid looming political unrest. Davies, who recently...
As long as sequels like 'Zootopia 2' (which just passed 'Minecraft' to become 2025's top domestic grosser) are nabbing sky-high box office, the likes of 'Hoppers' and 'Encanto' can be viewed as long-term investments.

Pakistani director Sarmad Sultan Khoosat’s supernatural horror‑musical Lali debuted in Berlin’s Panorama, marking Pakistan’s first all‑local film at the Berlinale. Inspired by a family short story, the film fuses horror, black comedy, folk songs and a vivid red‑purple palette to explore...