
Patti Smith on "People Have the Power"
Patti Smith discusses the origin and purpose of "People Have the Power," a song co‑written with Fred originally intended as a rallying cry for Jesse Jackson’s anticipated presidential bid, which never materialized. Fred’s ambition was to create a song that could serve as a global voice for protest, a tool for people needing empowerment. Though Jackson didn’t run, the track found life on streets and squares worldwide, from European marches in Spain and France to demonstrations in Korea and Japan. Smith recounts hearing crowds spontaneously join the chorus, noting, “If they need it and use it, it makes me happy for him,” and describing a palpable sense of Fred’s presence whenever the anthem is sung. The enduring popularity underscores music’s capacity to transcend borders and galvanize social movements, illustrating how a single composition can become a transnational rallying point for activists and reinforce the cultural relevance of protest songs in contemporary politics.

How The Black Crowes Relaunched in Nashville | Rolling Stone Nashville Now
The Black Crowes reunited in 2019, recording their comeback album A Pound of Feathers in Nashville and launching a tour from Music City. The Robinson brothers used the city’s studios and culture to mend personal rifts and spark creative momentum. Their summer dates...

This Artist-Run Record Label Is Competing with the Majors in a Big Way
Rebellion Records, founded by artist‑producer Michael Turner (aka Platinum), is an independent label that claims to be rivaling major‑label resources by rethinking every facet of an artist’s career—from touring profit‑share deals to publishing and master ownership. The label’s 2023‑24 financials...

NY Slice Sessions: Monica Bang
The video captures a candid conversation with Monica Bang of NY Slice Sessions, chronicling the band’s evolution from a sporadic project that began in 2016 to a stable, permanent lineup formed roughly two years ago. The discussion highlights how the...

Monica Bang - "Sport" (Live at WFUV)
The video captures Monica Bang’s live rendition of “Sport” on WFUV, an avant‑garde performance that fuses spoken‑word chant with a stadium‑like atmosphere. Rather than a conventional song, the piece functions as a rhythmic rally, using the language of athletics to...

Monica Bang - "Till It's Clean" (Live at WFUV)
Monica Bang delivered a live rendition of her track “Till It’s Clean” on WFUV, offering an intimate glimpse into her avant‑garde indie aesthetic. The performance, recorded in a modest studio setting, foregrounds her distinctive vocal delivery and the song’s hypnotic...

Oklou Takes You Behind Her Like a Version
The video offers an intimate look at French electronic producer Oklou’s creative process, revealing how she balances nostalgic teenage influences with modern production techniques. She recounts growing up blasting harmonies with friends, a habit that still informs her desire for...

Oklou - ’Viscus’ (Live for Like A Version)
The video captures French producer‑singer Oklou’s live rendition of “viscus” on NPR’s “Like A Version” series, a platform known for artists reinterpreting songs in intimate settings. Filmed in a modest studio with dim lighting, the performance strips away studio polish,...

Behind Oklou's Cover of Plain White T's ‘Hey There Delilah’ for Like A Version (Interview)
French electronic artist Oklou explains why she chose to reinterpret Plain White T’s 2006 hit “Hey There Delilah” for Triple J’s iconic “Like A Version” segment. The cover marks her first appearance on the Australian program and reflects a personal connection to the...

Oklou Covers Plain White T’s’ ‘Hey There Delilah’ for Like A Version
French electronic producer Oklou delivered a fresh take on the 2006 Plain White T’s ballad “Hey There Delilah” during Triple J’s “Like a Version” segment, a weekly series where artists perform live covers for a global audience. The rendition swaps the...

Music Theory For Songwriters - 30 Minute Full Lesson
The live stream is a 30‑minute music‑theory lesson aimed at songwriters, walking through chord‑progression fundamentals in the key of A major and using John Lennon’s “I’m the Walrus” as a practical case study. The instructor also promotes a bundled “Songwriters...

@Meelsmusic on Writing About OCD on "The Wizard" #meels #crittercountry #ocd #songwriting
Songwriter @meelsmusic explains how a banjo‑driven track about obsessive‑compulsive disorder emerged organically while strumming at his grandmother’s house. The piece, one of his first banjo compositions, became a cathartic outlet for his own struggles and quickly turned into a vehicle...

Mitski Recommends an Album By a World-Famous Genius Who Is Still Underrated
Mitski uses her platform to champion Mariah Carey, declaring the pop icon an overlooked genius whose songwriting and vocal prowess deserve greater recognition. In a brief video, she recommends Carey’s 1995 album Daydream, noting it as the first record she...

NAV Has a New Album Coming This Summer #complexnews
The video reveals that rapper NAV is gearing up to drop a new album this summer, with a tentative June release window. After a 2022 project that catered to his core Discord community, he signals the end of the “old...

Paul Wall Reveals the Real Story Behind Nelly's "Grillz" | On the Record
In the On the Record interview, Houston rapper Paul Wall recounts how he became enamored with dental grills and how that fascination led to his collaboration with Nelly on the 2005 hit “Grillz.” He traces the trend back to early...

Anderson .Paak on His Friendship with Mac Miller #complexnews
Anderson .Paak sits down to recount how his friendship with the late Mac Miller began, tracing the connection back to a casual Twitter outreach after Miller’s 2015 “Compton” album dropped. The conversation reveals how a simple DM turned into a...

@Meelsmusic on Naming Her Genre "Critter Country" #meels #country #crittercountry
The video features independent musician Meels discussing how she coined “Critter Country” as her genre after a branding class at NYU. She recounts that the class required a precise genre label, and she realized her songs repeatedly use animal metaphors, prompting...

Wolf Alice | Full Set (Live at Laneway 2026)
Wolf Alice took the stage at Sydney’s Laneway Festival 2026 for a full‑length set that mixed their best‑known singles with several unreleased tracks, delivering a high‑energy performance that kept the crowd moving from start to finish. Throughout the show the...

Charley Crockett - "Ain't That Right" (Live at WFUV)
The video captures Texas‑born singer‑songwriter Charley Crockett delivering a live rendition of his original track “Ain’t That Right” during a WFUV session. The performance, recorded in a modest honky‑tonk setting, blends country‑blues storytelling with a raw, stripped‑down band arrangement, offering...

Charley Crockett - "Tennessee Quick Cash" (Live at WFUV)
Charley Crockett’s live rendition of “Tennessee Quick Cash” uses a blues‑rock frame to spotlight the payday‑loan industry in the Volunteer State. The performance, recorded at WFUV, blends personal storytelling with a broader critique of short‑term, high‑cost credit. Throughout the lyrics Crockett...

Charley Crockett - "El Paso to Denver" (Live at WFUV)
Charley Crockett delivered a raw, acoustic rendition of his original “El Paso to Denver” during a live session on New York’s public‑radio station WFUV. The performance, recorded in a single take, highlighted his gritty vocal timbre and storytelling flair, positioning the...

Wolf Alice - 'The Sofa' (Live at Laneway 2026)
Wolf Alice took the Laneway Festival stage in 2026 to perform an intimate version of “The Sofa,” a track from their 2021 album “Blue Weekend.” The set, stripped down to acoustic guitar and subtle percussion, highlighted the band’s willingness to...

Samia on Finding Beauty in Ugliness
The video features Samia reflecting on her aesthetic philosophy, emphasizing a preference for the unconventional and the imperfect over classic notions of beauty. She explains that conventional images—flowers, sunrise, serene landscapes— rarely inspire her; instead, she is drawn to the...

Mitski Talks About Touring Smaller Venues #Mitski
Mitski explains why she is deliberately avoiding arena tours for her latest album, opting instead for smaller, often unconventional venues. She argues that the prevailing industry mindset equates bigger venues with success, but she feels that larger spaces dilute the emotional...

#DeskOfTheDay: "Being Three," DOGTAGS
The video titled “#DeskOfTheDay: ‘Being Three,’ DOGTAGS” presents a stylized performance that merges a short song, spoken‑word fragments, and a visual focus on a desk setup. By foregrounding a pair of dog tags alongside the workspace, the creator frames the...

Vic Mensa Discusses the Evolution of Chicago Rap and Who He's Listening to #complexnews
Vic Mensa sits down with Complex News to reflect on how Chicago rap has transformed since the era he and Chance the Rapper emerged, describing the scene’s original ethos and its current state. He notes that the early 2010s featured a...

Wolf Alice - 'How Can I Make It OK?' (Live at Laneway 2026)
Wolf Alice took the stage at Laneway 2026 to deliver a rousing live rendition of “How Can I Make It OK?” The band opened with palpable excitement, greeting the audience and urging fans to join in the chorus, instantly turning...

Khruangbin Play "White Gloves Ii" In Studio
Khruangbin’s latest studio video captures the trio delivering a full‑length rendition of "White Gloves II," an instrumental track that has become a fan favorite during live shows. The performance, recorded in a minimalist setting, strips away vocal embellishments, allowing the...

The Veronicas Cover Sombr ‘12 to 12’ for Like A Version
The video captures Australian pop duo The Veronicas delivering a fresh take on the song “12 to 12” during Triple J’s iconic “Like a Version” segment. Stripped of the original’s acoustic vibe, the sisters infused the track with synth‑driven arrangements and...

The Veronicas - ’Untouched’ (Live for Like A Version)
The Veronicas delivered a live rendition of their 2007 hit “Untouched” on Triple J’s iconic “Like a Version” segment, swapping the studio‑produced pop‑electro backdrop for a raw, band‑driven arrangement. The performance highlighted the duo’s tight vocal chemistry, with Jessica and Lisa...

The Veronicas on the Backstory of ‘Untouched’ & Covering Sombr for Like A Version (Interview)
The Veronicas sat down to discuss two pivotal moments in their career: covering Sombar’s “12 to 12” for Triple J’s “Like a Version” and the creation of their breakout hit “Untouched.” The conversation blends nostalgia with insight, revealing how a collaborative...

Why The Old Kanye Didn’t Survive Past “The Life Of Pablo”
The video examines why the “old Kanye” – the visionary, self‑aware artist behind My Beautiful Dark Twisted Fantasy – effectively ended with 2016’s The Life of Pablo. It traces Kanye’s trajectory from musical reinvention to a sprawling Yeezy conglomerate, noting how...

Anderson .Paak on Appropriation Vs. Appreciation in K-Pop #complexnews
Anderson .Paak addresses the thin line between cultural appreciation and appropriation as K‑pop moves from a Korean‑centric niche to a worldwide genre. He notes that K‑pop’s sonic palette draws heavily from Black music traditions, and as the genre expands, listeners and...

Chutes on Making 'Melt ICE'
The video details the creation of "Melt ICE," a benefit album assembled in the wake of Alex Freddy’s murder. Initiated by musician Johnny Fuller, who records as Johnny Darko, the project was designed to provide a continuous fundraising platform for...

Baby Keem Is About to Step Into Rap Superstardom #complexnews
Complex’s Jordan Rose reports that Baby Keem is on the brink of rap superstardom after a sold‑out Webster Hall performance in New York. The show, announced the same day, drew a crowd dressed uniformly in white button‑downs and black ties,...

#DeskOfTheDay: "You Look at Me Like Art," Micaela Young
The video titled "#DeskOfTheDay: “You Look at Me Like Art,” Micaela Young" is a brief, music‑driven vignette that juxtaposes childhood nostalgia with the weight of adulthood. It leans on simple lyrical fragments and ambient soundscapes to convey a personal narrative...

Maybe Happy Ending: Tiny Desk Concert
The NPR Tiny Desk stage hosted a live rendition of the off‑Broadway musical Maybe Happy Ending, introducing the show’s eclectic cast of four performers, a ten‑musician orchestra, and its creators. The piece follows Oliver, a retired Model 3 helper‑bot, and his...

Chutes Talks About Local Lineup at Abolish ICE Show
The video centers on Chutes’ role in assembling the local lineup for the Dropkick Murphy show, a special acoustic set tied to an Abolish ICE fundraiser at the Palace Theater. Chutes booked six acts, primarily drawn from the Band Camp...

Ken Casey of Dropkick Murphys Talks About the Role Artists Play when It Comes to Activism
Ken Casey, bassist and co‑founder of the Dropkick Murphys, uses a recent interview to argue that musicians have a civic duty to speak out when fundamental rights are under attack, specifically referencing the treatment of immigrants by ICE. He rejects...

Cortis Debates Who Has The Best Style | Family Style Fortune Cookies
The video is a laid‑back “family‑style fortune cookie” session hosted by Cortis and members of a K‑pop collective, where they crack themed cookies and riff on everything from personal style to BTS nostalgia. The format blends casual conversation with brand...

Mitski Talks About the Demonization of Cats #Mitski
In a recent interview, singer‑songwriter Mitski explains the conceptual framework behind her upcoming album, describing it as a reclusive woman inhabiting an inherited, dilapidated house that mirrors a mind burdened by generational trauma. She uses the house metaphor to explore how...

Khruangbin — White Gloves Ii (Live for The Current)
Khruangbin took the stage for The Current’s live session, delivering a distinctive rendition of “White Gloves ii.” The performance, captured in a raw, unedited video, highlighted the trio’s willingness to experiment, trading conventional verses for a hypnotic, instrumental groove. The band’s...

De La Soul: Tiny Desk Concert
De La Soul took the NPR Tiny Desk stage for an unfiltered, high‑energy performance that mixed rapid‑fire verses, audience chants, and spontaneous freestyle moments. The set, framed by the group’s signature humor and “salute” greetings, turned the intimate desk into a communal...

Behind Turnstile’s Cover of The Stone Roses’ ‘I Wanna Be Adored’ for Like A Version (Interview)
Turnstile’s latest interview reveals the band’s decision to record a studio version of The Stone Roses’ “I Wanna Be Adored” for Triple J’s Like A Version segment. The punk‑hardcore outfit explains that the song’s iconic bass line and simple yet...

Behind Turnstile's Like a Version
The video centers on a heartfelt cover of a classic track, selected as a tribute following the passing of a figure named Manny. The presenter, a self‑identified Brit and longtime fan, explains that the song’s uncomplicated yet powerful bass line...

Turnstile Cover The Stone Roses' ‘I Wanna Be Adored’ for Like A Version
Turnstile, a Philadelphia‑based hardcore punk outfit, recorded a cover of The Stone Roses’ 1989 anthem “I Wanna Be Adored” for Triple J’s iconic “Like a Version” segment, marking a rare foray into Brit‑rock territory for the band. The rendition strips the original’s...

@Valeriejune on Working with @MWARDMUSIC #valeriejune #mward
Valerie June’s video chronicles her transition from a longtime fan of M.Ward to a creative partner, underscoring how organic encounters can spark professional collaborations. She recounts hearing his tracks while working in Memphis cafés, where each song prompted her to...

Zara Larsson and Robyn Swedish Connection | I-D Asks
In a brief i-D interview, pop star Zara Larsson describes her ritual for returning to Sweden: she delays unpacking, calls her sister, often heads to the country house to be in nature, and orders food. She also recounts a playful...

Flock of Dimes - "Not Yet Free" (Live at WFUV)
Flock of Dimes delivered a stripped-down rendition of "Not Yet Free" during a live session on New York’s WFUV, marking the band’s first radio-only performance of the track since its studio release. The song’s cryptic verses—"maybe I’ll fall if I’m not...

Flock of Dimes - "Long After Midnight" (Live at WFUV)
Flock of Dimes performed “Long After Midnight” live on WFUV, delivering a raw rendition that foregrounds the band’s preoccupation with financial anxiety and emotional vulnerability. The lyrics repeatedly stress that money given will never be recovered, that medication costs create insurmountable...