
George Harrison’s ‘Something’ Crowned Beatles’ Greatest Love Song
George Harrison’s 1969 ballad “Something,” originally released on the Abbey Road album, has been hailed as the Beatles’ greatest love song. The track topped charts upon release and has earned lasting critical acclaim, cementing Harrison’s reputation alongside Lennon and McCartney.
KLOF’s latest mixtape, No. 75, blends folk, ambient, experimental and alternative tracks, spotlighting both veteran and emerging artists. The playlist features two songs from Bonnie “Prince” Billy’s freshly released album *We Are Together Again* and two cuts by Gregory Uhlmann from *Extra Stars*. Additional contributions include Jesca Hoop, Kris Drever, Adam Ross, Brown Wimpenny, SUSS, Setting, Trippers & Askers, and Riley/Radley, all streamed via Mixcloud. The curated set showcases the label’s commitment to genre‑spanning, community‑driven music discovery.
Philly music this weekend with @Subtronics, Jimmy Webb, Cat Power, Maná, Moe., Bar Dust, @robertglasper, Baroness, Lindsey Webster & more https://www.inquirer.com/entertainment/music/philadelphia-music-concerts-cat-power-jimmy-webb-20260304.html?utm_source=threads.com&utm_campaign=edit_social_share_threads_traffic&utm_medium=social&utm_content=&utm_term=&int_promo=

Steve Earle headlined the latest No Depression Session at Lucinda’s, a Southern‑country bar in NYC’s East Village, in partnership with Hiatus Tequila. Backed by acoustic guitar and an octave mandolin, he performed three songs—"Copperhead Road," "I Don't Trust Happiness," and...

Bandcamp Notes’ “I Love This Record” column spotlights Rapasa Nyatrapasa Otieno’s 2023 album Jopango, his third release. Otieno, a Kenyan nyatiti virtuoso now based in England, blends the eight‑string, two‑necked nyatiti with contemporary production, echoing the work of Geoffrey Oryema...

5 years since the last solo stovegodcooks project … He explains the wait. Ya’ll ready for new Stove? Full convo on @applemusic. #TheEbroShow.

JD Graham’s new album “Uppers & Downers” arrives after he survived a devastating car accident that forced him to cancel his US and European tour. The record, co‑produced by Jason Weinheimer and featuring Tulsa’s top session players, delves into themes...

British pop duo Let’s Eat Grandma’s vocalist Rosa Walton announced her debut solo album, “Tell Me It’s A Dream,” slated for release on June 5, 2026 via Transgressive. The record’s lead single, “Sorry Anyway,” showcases an 80s‑inspired alt‑pop sound and explores themes...

Somerset House Studios’ biannual Assembly returns to London from March 26‑28, presenting a three‑day program of experimental music, installations and talks. The opening night features Ellen Arkbro’s crumhorn‑organ premiere and Laurel Halo’s “Sour Loop” installation, while Friday showcases felicita’s “czysta forma”...

Trey Hensley’s new album “Can’t Outrun the Blues” arrives after several years of development, delivering a masterclass in guitar‑driven Americana. The record traverses blues, country, folk, and bluegrass, with Hensley writing or co‑writing seven of the ten tracks. Guest musicians...
Bandcamp Daily’s March 6 roundup showcases a diverse slate of releases, from Gregory Uhlmann’s pastoral ambient album “Extra Stars” to KABEAUSHÉ’s theatrical concept record “IGGY SWAGGERING UNGRATEFUL INCESSANT LITTLE PEEAAAAAAA.” The list also features New Age Doom’s genre‑spanning collaboration with H.R....

Danish pop star MØ has launched a double single, “Hunnybån” and “Fine Curls,” recorded after her May 2025 album Plæygirl. The upbeat “Hunnybån” channels the fury of a friend’s betrayal, while the moody “Fine Curls” captures a tender longing for a...

UK doom metal trio Conan is set to release the second installment of its DIY 10‑inch vinyl series, with Decibel debuting the new single “Anger Mask.” The track features the band’s signature sludgy riffs and forceful drumming, while its lyrics...
Californian progressive rock group Corima releases “Hunab Ku,” a zeuhl album steeped in Mesoamerican doom philosophy. The record fuses jazz, metal, and symphonic elements, featuring cyclical structures, chaotic breakdowns, and non‑lexical vocal chants. While the lineup has remained stable for...

George Collins has dropped his latest single “My Island Life,” a breezy, reggae‑inflected track that paints vivid tropical scenes. The song opens with a mango‑tree lyric and blends light percussion, easy‑going guitar, and a catchy chorus that feels like a...

Wesley Joseph has released the atmospheric single “Pluto Baby,” the third track lifted from his forthcoming debut album Forever Ends Someday, slated for an April 10 release on Secretly Canadian. The song, recorded during a thunderstorm in Hastings, blends hazy textures with...
The Warning released their second 2026 single, “Kerosene,” a hard‑rock track that follows last month’s country‑crossover “Love to Be Loved.” The song pairs soaring three‑part harmonies with aggressive riff‑rock and fuzz‑bass, while its video showcases tattoo‑shop scenes, a high‑speed highway...

British duo The Itch have unveiled their new single “Drugdealer,” a slower, synth‑driven track that diverges from their usual dance‑punk energy. The song’s lyrical hook, “if you want me, I could be your drugdealer,” frames a love‑song metaphor inspired by...
The Reds, Pinks and Purples are set to release their new album Acknowledge Kindness on April 24, 2026 through Fire Records. The record expands the band’s rain‑streaked jangle into a pop‑grandiose sound reminiscent of the Go‑Betweens and early‑90s The Chills....
Harlan Silverman’s new album *Music For Stillness* follows his work with the Cosmic Tones Research Trio, offering a concise 27‑minute collection of flute, cello, and viola‑driven ambient pieces. The record leans toward Japanese folk‑inspired pastoral tones while retaining the band’s...
Eric Silverman, a leading figure in California’s Cosmic Americana scene, is set to release his new album Bitter Honey on May 29 via Royal Oakie Records. The record continues his signature blend of psychedelic rock, AOR, and 1970s‑era cowboy aesthetics, anchored by the...

British indie‑rocker Gretel Hanlyn released the new single “Fire Blooming Trees,” the latest teaser from her debut album Squish, slated for 10 April on Breadcrumb Records/AWAL. The track, recorded live, draws its title from the 2025 Los Angeles wildfires and tackles themes of...
Nathan Bowles releases Seven Lefts, his first solo album in a decade, delivering over seventy minutes of tape‑recorded improvisations. He built the record on a four‑track cassette machine, layering keyboards, banjo and sampled fragments into sprawling, sixteen‑minute pieces. The album...

Morrissey's long‑awaited album *Make‑Up Is A Lie* finally arrives three years after the shelved *Bonfire Of Teenagers* saga. The record jumps across genres—electropop, psych‑pop, lounge‑shuffle—and showcases his still‑strong vocal delivery. Produced by Joe Chiccarelli, the album feels oddly cohesive despite...
Icelandic singer‑songwriter Laufey will headline two shows at London’s O2 Arena on March 8 and March 9, 2026, supporting her third album *A Matter of Time*. Doors open at 6 pm on Sunday and 6:30 pm on Monday, with the performances slated for roughly 8:20‑9 pm. Alice Phoebe Lou...
To commemorate the 125th anniversary of the RRS Discovery, the artist released the album *From the Floorboards*, built around the Shackleton Violin—a handcrafted instrument made from the floorboards of Ernest Shackleton’s former Edinburgh home and driftwood. The violin’s maritime provenance...
HELP(2), the sequel to the 1995 War Child compilation, drops a 23‑track, charity‑driven album recorded in a single week at Abbey Road Studios in November 2025. The record features fresh contributions from Arctic Monkeys, Pulp, Depeche Mode and a host of...

Nigerian pop star Ayra Starr has dropped her latest single “Where Do We Go,” a track she describes as a personal anthem for getting ready and stepping out with confidence. The song continues her pattern of crafting music that speaks...
British rapper Dave will headline four consecutive nights at London’s O2 Arena from March 6‑11, 2026, as part of his Boy Who Played the Harp Tour promoting his third album. Ticket demand forced the addition of extra dates, underscoring his...
Jay Hammond’s Trippers & Askers project will issue its second full‑length album, *Tried to Do’s*, on May 8 via Sleepy Cat Records. The record follows 2021’s concept work *Acorn* and shifts from a Butler‑inspired sequel to a personal song cycle shaped...

The New Cue #574 delivers a curated music briefing, spotlighting Aldous Harding’s forthcoming fifth album, Train On The Island, slated for a May release, and Shabaka Hutchings’ new record Of The Earth. Both artists are highlighted with detailed commentary despite...

The blog post spotlights STL, the electronic music project of German producer Stephan Laubner, tracing his roots from video‑game‑inspired early listening to Frankfurt’s techno scene. It highlights two key releases: the 2014 album At Disconnected Moments, noted for its sanded‑smooth dub techno percussion,...

The Messthetics teamed up with tenor saxophonist James Brandon Lewis to release their second album, *Deface the Currency*, recorded in just two days after a transatlantic tour. The seven‑track record expands the quartet’s blend of alternative rock, jazz‑rock, and free...

Bandcamp Fridays, launched in March 2020 during the pandemic, waive the platform’s revenue share so every purchase goes directly to artists and labels. The program has generated over $120 million for independent musicians and has become a vehicle for charitable fundraising....

Catherine Lamb and Ghost Ensemble have released *interius/exterius* on Greyfade, a 33‑minute recording that distills a previously hour‑long work. The piece is built on a radical just‑intonation system derived from an inaudible 10 Hz fundamental, creating a relational harmonic field. Ghost...
Peso Pluma teams up with emerging rapper Tito Double P for the March 2026 single “Dopamina,” a cross‑genre blend of regional Mexican vocals and urban trap production. The track showcases stark vocal contrast—Pluma’s nasal rasp against Double P’s deep snarl—over...
Ateez’s latest single “Adrenaline” attempts to fuse EDM hype with nu‑metal aggression, but critics argue the track falls short of delivering a compelling drop. Reviewers praise the energetic verses yet criticize the chorus for sounding like a dated club remix....

The author reflects on a harsh winter in New York and how the environment influences mind, body, and spirit, highlighting music’s ability to shift mood. A new episode of The (Almost) Reckless Podcast with Jeffrey Saad explores controlling thoughts to...

The music is dope. Is this cosplaying though? #RapLifeReview Episode 242 on @applemusic YT. Link in bio too.

Pearla, the moniker of Nicole Rodriguez, is set to release her sophomore album *Song Room* on April 24, 2026, following the debut *Oh Glistening Onion, The Nighttime Is Coming*. The lead single “Imagine Your Face” delves into the interior landscape of a...
AltPress surveyed readers to rank the five best post‑hardcore bands of 2026, highlighting a mix of veterans and newcomers. I Promised the World secured a Rise Records deal and upcoming tour slots, while Thrice released ambitious companion albums that reaffirm their...

Seth Neblett’s new oral‑history book *Mothership Connected* lifts the veil on the women who helped shape Parliament‑Funkadelic’s iconic sound, profiling five vocalists and their behind‑the‑scenes roles. The narrative draws on interviews with George Clinton, Bootsy Collins, Sly Stone and other...

Mexico City metal trio Red Sands has premiered a video for “System,” the centerpiece track of their six‑track EP Evocations released in January. The band describes the song as a scathing critique of political corruption, religious hypocrisy, and corporate‑driven environmental...
Baby Keem’s sophomore album Ca$ino has arrived to critical acclaim, with reviewers highlighting its eclectic production, autobiographical lyricism, and high‑profile collaborations with Kendrick Lamar. The record channels early‑era Kanye influences while incorporating trap beats and spoken‑word interludes, creating a fresh...

Crippled Black Phoenix debuted their new single “Colder and Colder,” a brooding blend of death‑rock atmosphere and shoegaze‑laden melancholy, ahead of the forthcoming album Sceaduhelm. Vocalist‑guitarist Justin Storms describes the track as a rhythmic, tragic narrative built around the title’s...

Lauren Presley’s new single “Potential” drops a darker alt‑rock edge, pairing distorted guitars with steady tension. The track’s controlled vocal delivery lets lyrics about hoping for who someone could be, rather than who they are, take center stage. By framing...

William Clark Green’s seventh studio effort, *Watterson Hall*, signals a deliberate pivot toward a more mainstream country sound. The 50‑minute record fuses classic twang with contemporary production, tackling familiar topics like love, partying, and perseverance. Green’s lyrical hook‑craft and upbeat...
Former Kikagaku Moyo guitarist Tomo Katsurada has partnered with Estonian composer Misha Panfilov to release a new collaborative record titled Eternal Almost. The duo debuted the project with the psych‑funk single “Mostra,” which blends 70s‑era groove with dreamy, free‑flowing textures....
Slaid Cleaves, a Texas‑based Americana singer‑songwriter, recounts his rise from $600‑a‑month busking gigs to a sustainable independent music career. After quitting his minimum‑wage job, he spent years honing his craft on the streets of Cork and in Austin’s open‑mic scene,...

Matt Valentine’s Wet Tuna project releases its fourth full‑length album, Vast, on Captured Tracks. The record blends psychedelic, funk, and experimental pop elements, delivering richly textured yet spacious soundscapes. Coming a decade after the debut, Vast underscores Valentine’s evolving solo...
The reviews spotlight Gena’s “Circlez,” praised for its meticulously calibrated mix that blends warm organ tones, precise percussion, and immersive spatial effects. Bebe Rexha’s “Çike Çike” draws heavily on early‑90s house and Madonna‑era pop while feeling contemporary, reflecting a streaming‑driven “flat‑time”...