Pixel Pod Lets Users Reshape Tokenized Art
The new PIXEL POD works by @kimasendorf are truly spectacular. The pieces are interactive and following on from PXL DEX, every pixel is a token, allowing you to add or remove pixels in the work itself to change its density and structure. Im blown away by Kim's genius yet again https://t.co/WnEQj13Q7o
IWM Exhibition Merges Beauty with Destruction in Five Highlights
Beauty and destruction. Here are five highlights from the upcoming IWM exhibition that I'm looking forward to via @Londonist https://t.co/rHE7L136yO
Crowdsourcing a 1‑10 Rating for Black Museums
I want to start a museum list and rate them on a scale from 1 to 10. Just because I work in museums does not mean I have been to them all. There are over 35,000 museums in the United...
Newhouse $450M Art Trove to Christie's, $100M Pollock Leads
Scoop: $450 Million Newhouse Trove Heads to Christie’s, Led by $100 Million Pollock, Brancusi https://t.co/mjeFEYkh2V
LA Art Scene Demands Effort, Unlike NYC's Constant Flow
L.A. gallerist Anat Ebgi: “ain my New York gallery we have visitors all day long. LA is different. There’s not a constant stream of people coming in. In LA, you really have to work to capture an audience. So even...

King’s Cross Transformation Fuels Anne Howeson’s Art
Anne Howeson has witnessed the many changes to the King’s Cross area, and it has become a central part of her art. I spoke to her about the changes and how they’ve inspired her practice >> https://t.co/3ivXygQ9po @Londonist #LondonArtCritic #LondonArt...

Creation and Acceptance Unlock Infinite Calm Amid Chaos
“The will to create, and the will to allow. In that indefinite relationship lies infinite potential.” Satoshi Kondo of isseymiyakeofficial. A beautiful show and collection that gave a moment of calm and meditation, to temper the hot anger, helplessness and...

Inside Morley College's Vibrant Gallery Spaces and Programs
In this episode of our #podcast, @annagammansart & I speak with Jack Davy, exhibitions curator & gallery manager at Morley College London about the college's gallery spaces and ongoing arts programme >> https://t.co/CzzvpFApG9 #LondonArtCritic https://t.co/HnLH9BqQAF
Top 5 London Exhibitions Showcasing Women Artists
In time for International Women's Day, it's all women artists in my top 5 exhibitions to see in London for @worldofFAD https://t.co/eUEMLjdf8U

Exposing Gallery Non-Payment to Drive Fair Compensation
https://t.co/dJFFhZjBQV Gallery watch: When there’s incontrovertible information about galleries non-payment practices, I’ll incorporate into future articles. In the meantime, please read my latest if you haven’t. I hope this will help foster payment in at least some instances; and, at...
Create Relentlessly; Convince Others Through Unwavering Artistic Conviction
Your art is your argument. You make that argument to yourself as well as to others. To yourself, you know what you want, make what you want, create on your terms. As for everyone else, some may need convincing. How?...

LA Art Gold Rush Ends, Future Market Uncertain
The Art World’s Los Angeles Gold Rush Is Over. What Comes Next? My latest column on @artnet @artdetective @friezeofficial #artmarket https://t.co/E8tNfMFfwX
Buy Art After Silent Home Trial, No Distractions
There's so much noise around how art is presented these days both online and in person. Soundtracks, celebs, influencers, reveals, opulent interiors, extravagant blather, etc. But here's the deal: You can't take any of that home with you. It'll be...
Galleries Want Profit, Professionalism, Not Just Liked Art
Let's say a gallery likes your art. That doesn't necessarily mean you get a show. Things they also consider? Whether your prices leave enough room for them to make a profit while staying within ranges that their buyers are willing...

Second Life at Tate:
A ravishing perilous journey and stinging astonishing exhibition “Second Life” at @tate by @traceyeminstudio tracey_emin_artist_residency

Every Critique Holds a Grain of Truth, Embrace It
I just found this vid by @gillieandmarcart It does touch on a big issue: How does an artist respond to critical reviews? I always say, “You could be right …” For me whenever I get a negative review: 1. There is...