
In the Gallery: Klára Hosnedlová ‘Echo’ at White Cube Bermondsey | White Cube
The White Cube Bermondsey gallery opened Klára Hosnedlová’s solo show “Echo,” a series of installations that interrogate how memory and perception reverberate in physical space. Set against the gallery’s stark white walls, the works employ mirrored panels, translucent fabrics, and subtle lighting to create a sense of infinite reflection, prompting viewers to confront their own image within the artwork. Hosnedlová’s pieces layer reflective surfaces with archival photographs and digital prints, blurring the line between analogue recollection and contemporary media saturation. The central installation, a floor‑to‑ceiling mirror maze, multiplies the viewer’s silhouette, suggesting that personal narratives are fragmented and endlessly echoed. Curator Emma Larkin notes that the work “captures the disorienting feedback loop of today’s hyper‑connected world.” In a brief interview, Hosnedlová explained, “I wanted to build a space where the past and present collide, forcing the audience to become both observer and subject.” The exhibition also incorporates motion sensors that trigger soft sounds when visitors move, turning the gallery into an interactive soundscape that reinforces the theme of echoing experiences. The show underscores a growing trend in contemporary art toward immersive, participatory installations that comment on digital overload and identity formation. By inviting audiences to physically engage with the work, White Cube positions “Echo” as both a critical reflection on modern life and a marketable experience that draws new visitors to the London art scene.

How Italian Artist Lucio Fontana Tore Through the Fabric of Space and Time | Sotheby's
The Sotheby’s video spotlights Italian avant‑garde artist Lucio Fontana, focusing on a newly unveiled collection that spans his most radical experiments—from the iconic 1959 canvas slashes to three‑dimensional sculptures—positioned as a visual chronicle of the space‑age era. The narration ties Fontana’s...

Live From Doha 2026 with Young Collector Saud Alkhater
Saud Alkhater, a young Qatari collector, sat down live from Doha 2026 to recount how a 2015 Qatar Museum exhibition ignited his passion for contemporary art. He described the moment he first encountered Luke Taman’s piece “Vabbit,” which shifted his...

Irvine Welsh on the Trainspotting Timeline
Irvine Welsh uses a candid interview to explain how his habit of writing out of sequence has led to continuity problems across the Trainspotting universe. He describes the difficulty of keeping track of character arcs when chapters are drafted non‑chronologically,...

Journeys with Mai: Bradford
The video documents “Journeys with Mai: Bradford,” a collaborative initiative between the National Portrait Gallery and local youth groups in Bradford, aimed at interrogating representation, colonial legacies, and personal identity through portraiture and performance. Host Mai reflects on her reaction to...

30 Minutes on Georgia O’Keeffe, Kay WalkingStick, and American Modernism
The Art Institute’s recent talk, presented by Rice Curatorial Fellow Lois Taylor Biggs, examined the new “Landscapes in Conversation” installation that pairs Cherokee artist Kay WalkingStick with iconic modernist Georgia O’Keeffe. The program highlighted the museum’s acquisition of WalkingStick’s diptych The Silence of Glacier—the first painting by...

Inside the Most Valuable Single-Owner Design Sale in Sotheby’s History | De Gunzburg Collection
Sotheby’s hosted the most valuable single‑owner design auction in its history, featuring the de Gunzburg Collection, a privately assembled trove of mid‑century modern furniture, lighting, and decorative objects. The sale generated more than $200 million, with the Eames Lounge Chair & Ottoman fetching...

Choreographer Benjamin Jonsson Mirrors the Speed and Saturation of Social Media Through Dance
Benjamin Jonsson, a Swedish choreographer, unveiled a new dance piece that deliberately mimics the frantic pace and visual overload of today’s social‑media feeds. The work, titled “Feed Frenzy,” translates scrolling, likes, and algorithmic bursts into kinetic movement, positioning the performance...

Gerhard Richter's Atmospheric 1984 Masterpiece, 'Schober (Haybarn)' Christie's
The video examines Gerhard Richter’s 1984 masterpiece “Schober (Haybarn),” recently featured by Christie’s. Curators and critics discuss how the seemingly ordinary German haybarn becomes a luminous, summer‑filled tableau that transcends simple representation. Richter’s method of translating personal photographs into oil,...

"A Deeply Personal Collection" - Including Magritte, Picasso, Fontana, Moore and Chadwick
The video tours the Vanterna residence, showcasing a deeply personal art collection assembled by Rajier and Joseette Vanterna over five decades. Their home functions as a quasi‑museum, guiding visitors through rooms filled with works that span major post‑war movements. The couple...

Member Conversation: The Paintings of Bruce Goff—Material Worlds
The Art Institute of Chicago unveiled "Bruce Goff: Material Worlds," the first comprehensive survey of the architect‑designer’s painting oeuvre in more than three decades. Curated by Craig Lee and Alison Fisher, the show draws from the institute’s extensive Goff archive...

Conversations: Jessica Rankin and Gemma Rolls-Bentley | White Cube
In a recent White Cube conversation, artist Jessica Rankin discusses how she navigates a fluid, improvisational workflow that blurs the line between painting and embroidery. Rankin explains that she never received formal training in either medium, which she credits for the...

Watch Christie's Specialists Install the Contemporary New York Exhibition
Christie's specialists Rachel Ing and Shireen Also lead the installation of the Contemporary New York exhibition at the firm's public gallery in Rockefeller Center. The video walks viewers through the preparatory work that culminates in the opening on February 21. The...

Are Berlin Wall Souvenirs FAKE?
The video investigates whether the fragments sold as Berlin Wall souvenirs are genuine or counterfeit, following the host’s personal suspicion to the source of the market. Julian and his brother’s company, which dominates Berlin’s souvenir trade, confirms that the pieces are...

"Last in Private Hands" - Henry Moore's Monumental King & Queen | Christie's
The video, produced by Christie’s, spotlights Henry Moore’s monumental “King & Queen” sculpture—its 1950s genesis, artistic lineage, and status as the sole example still held in private ownership. Moore began with a modest wax model, shaping a horned head, crown, and...

How Did the Apollo Space Missions Inspire This Landmark Alma Thomas Painting? #artworld
The video examines Alma Thomas’s monumental 1970 painting “Snoopy sees Sunrise on Earth,” a 50‑inch canvas that translates the awe of the Apollo era into abstract color. Thomas’s signature kaleidoscopic brushwork renders an abstracted Earthrise, with a central circular form evoking...

What Connects Warhol, Magritte & Judd? Inside “Contours of Modernity” | Sotheby’s
The Sotheby’s exhibition “Contours of Modernity” assembles a private European collection that reframes 20th‑ and 21st‑century art beyond chronological or stylistic categories. Curator Renee McGreet emphasizes a rigorous, concept‑driven selection that connects European, American, and global practices, positioning figures such as...