News•Feb 27, 2026
New York City Confronting the Abject; Feeding the Load, Regulated Dosage at FRISSON by Jonah Romm
The Frisson Gallery’s new exhibition "Feeding the Load, Regulated Dosage" showcases the work of Echo Yan and Cass Yao, curated by Rui Jiang. The show blends biomorphic sculptures, repurposed household objects, and AI‑generated video to create a visceral posthuman environment. Highlights include Yao’s multi‑headed skeletal piece *Axis* and Yan’s analog‑displayed AI video *Were We Made of Swirls?*. The installation juxtaposes analog production tools with digital imagery, questioning the boundaries between the biological and the mechanical.
By Whitehot Magazine of Contemporary Art
News•Feb 27, 2026
The Cross-Sectioned Paper Sculptures of Lisa Nilsson
Lisa Nilsson, a Massachusetts‑based visual artist, has revived the centuries‑old quilling technique to create life‑sized paper sculptures of human anatomical cross‑sections. Drawing on historic medical images and the National Library of Medicine’s Visible Human Project, she painstakingly coils colored paper...
By Hi‑Fructose
News•Feb 27, 2026
Napoles Marty in Conversation with Diana Nawi: Mentorship, NXTHVN, and the Frieze Los Angeles Impact Prize
Napoles Marty, the 2026 Frieze Los Angeles Impact Prize winner, credits the NXTHVN residency for sharpening his conceptual focus and confidence. At Frieze he will present a series of charred wooden guardian sculptures alongside two drawing series that record the carving...
By Elephant Magazine
News•Feb 27, 2026
David Salle "My Frankenstein" @ Sprüth Magers, Los Angeles
Postmodern painter David Salle opens "My Frankenstein" at Sprüth Magers in Los Angeles, running Feb 24–Apr 18, 2026. The show features works where Salle collaborates with a proprietary AI model trained on his own oeuvre, generating pixelated backgrounds that he repaints and re‑contextualizes....
By Juxtapoz
News•Feb 26, 2026
The Cherry Orchard Review: A Korean Take on Chekhov at Adelaide Festival
Simon Stone’s latest adaptation of Chekhov’s The Cherry Orchard relocates the story from pre‑revolutionary Russia to a contemporary South Korean chaebol family, premiering at Adelaide Festival 2026. The production stars Cannes Best Actress winner Doyeon Jeon in her first stage...
By ArtsHub (AU)
News•Feb 26, 2026
Mortality in Color: Anna Tuori’s First Berlin Solo Exhibition
Finnish artist Anna Tuori opens her first Berlin solo exhibition, "Paradise News," at Contemporary Fine Arts, showcasing twelve newly commissioned 2025 paintings. The works employ sand‑laced pigments on unprimed canvas, blending expressionistic still lifes with abstracted figurative scenes in a...
By Elephant Magazine
News•Feb 25, 2026
Prudence Flint’s Paintings Capture Moments of Repose that Are Ripe for Interruption
Prudence Flint, a former fashion‑illustrator turned oil painter, creates intimate domestic scenes that capture women in moments of quiet contemplation. She draws on cinema’s Kuleshov effect and deliberately distorts proportions to evoke internal emotional states rather than visual realism. Flint’s...
By Hi‑Fructose
News•Feb 25, 2026
No Longer, Not Yet—Paintings on Paper: Jonathan Wateridge @ GRIMM, Amsterdam
GRIMM gallery in Amsterdam presents Jonathan Wateridge’s second solo exhibition, titled No Longer, Not Yet – Paintings on Paper, running through March 28, 2026. The show highlights Wateridge’s paper works that capture erased moments from larger canvases, serving as studies for past...
By Juxtapoz
News•Feb 25, 2026
PAGING DR. FEELGOOD via Perrotin, Los Angeles by Piper Olivas
PAGING DR. FEELGOOD, a pop‑up group show presented by Perrotin, opened in Los Angeles during LA Art Week, occupying the former Spago venue. The exhibition stages four thematic sections that blend bar culture, hyperreal landscapes, gender‑bending portraits, and a shrine‑like finale...
By Whitehot Magazine of Contemporary Art
News•Feb 25, 2026
Digital Painting in LA and Beyond, the Set List
The Los Angeles event, co‑hosted by LACMA Digital Leaders and Ark/8, assembled a curated selection of works that the organizer classifies as digital painting, ranging from early Photoshop pieces to recent code‑generated art. Speakers and artists—including Bee Beep, Parker Ito, and Casey Reas—demonstrated how...
By Rhizome (Editorial)
News•Feb 24, 2026
Civilization Is A Sculpture: The Art of Dustin Yellin
Brooklyn‑based artist Dustin Yellin blends painting, sculpture and collage into massive glass installations that explore civilization, migration and climate change. His twelve‑ton work “The Triptych” and the multi‑panel “Migration in Four Parts” use found objects to create hyper‑detailed, narrative‑driven scenes....
By Hi‑Fructose
News•Feb 24, 2026
Board Updates for Rhizome’s Fourth Decade
Rhizome announced the election of artist‑designer Katherine Frazer and investor Jeannie Vu to its Board of Directors as the nonprofit enters its fourth decade. Frazer, an Apple product designer with a multidisciplinary art practice, brings expertise in user‑centered design and...
By Rhizome (Editorial)
News•Feb 24, 2026
2025 Booooooom Illustration Awards Winner: Andrea Cheung
Andrea Cheung won the Editorial category of the 2025 Booooooom Illustration Awards for her piece in Our State magazine. The award, backed by Format, highlights top talent across editorial, advertising, product and student categories. Cheung’s winning illustration blends painterly realism...
By Booooooom
News•Feb 21, 2026
Meet Cute: Collaboratove Duo DABSMYLA Communicates Through Color, Pop Culture & The Power of Piles of Cute
Australian pop‑art duo DABSMYLA, formed by Darren Mate and Emmelene Victoria, have turned a college romance into an internationally recognized brand. Their collaborative process hinges on spoken dialogue and shared sketches, producing work that feels created by a single hand....
By Hi‑Fructose